In his book The Photographic Lens (1968, Focal Press, London, New York. Originally published as Das Photo Objektiv, 1956, Friedr. Vieweg & Sohn Verlag, Braunschweig), Hans Martin Brandt explains that lenses such as Rodenstock's XR Heligons and TV Heligons were used in pairs for "presentation of the image formed on an X-ray amplifier tube screen to a larger audience via a television system. Conventional optical systems cannot satisfactorily project these images onto the photo cathode of a television picture tube and special optical designs are required for this purpose. …
While it would go beyond our scope to go into this specific application in exhaustive detail, the optical transmission of an anode image to a television system requires so-called tandem lenses. These are a combination of two lenses optimally corrected for infinity. They are arranged in such a way that the anode image is in the focal plane of the first lens, while the photo cathode tube of the television camera tube is in the focal plane of the second lens. …
In the first place this relay optical system must have the largest possible aperture. On the other hand geometric image corrections must be brought to an optimum …
Rodenstock suggest a number of their lenses as suitable for such tandem combinations. Recommended systems for the lens facing the X-ray image tube are the 100 mm Kinemar f/1.5, the 75 mm XR Heligon f/1.1 or the 50 mm XR Heligon f/0.75. The second lens for projection onto the final image plane can be a 32 mm Heligon f/1.3 (for 16 mm narrow gauge cine), the 70 mm Heligon f/1.4 (for standard 35 mm cine cameras) or the 50 mm TV Heligon f/0.75 for Vidicon cameras.”