I went to see the exhibit Sunday afternoon before returning home to watch the Superbowl -- an interesting juxtaposition. I enjoyed seeing the exhibit, reminded myself that I'd seen some of his London banker and Welsh (?) miner photographs at some other gallery. It was interesting to see a map of where he traveled while on his Guggenheim, see the proof prints that he marked up when he composed the book, and see the contact sheets -- which revealed he shot a lot of Plus-X, some Tri-X, and Super-X. As for the photographs, I'll have to admit that Cartier-Bresson's and Gene Smith's affect me more, but that may be a reflection of their seeming greater attention things like focus and framing. Some shots were excellent, and it was interesting to read this rationale for how he sequenced the photos in "The Americans". All in all, I'm glad I went -- who could turn out a free exhibit like that, anyway?