I have a good friend who is a session drummer. He rates Ringo quite highly.
However, it's now time for my favourite Ringo story:
Back when the Beatles were recording, one of the UK music magazines (Melody Maker I think) ran a readers' poll. Ringo won the 'world's best drummer' section. John Lennon remarked "he's not even the best drummer in the Beatles!".
Steve.
Well yes, that is a good quote but it does not reflect reality. All of the Beatles could play drums (AND MANY DID ON THEIR LATER SOLO PROJECTS) but they could only play one style. Ringo matched the mood of each and every (VERY DIFFERENT) songs that the band recorded. As Geoff Emerick and George Martin both pointed out, after 1966 the band only worked in the studio and made many takes of each song both as a process of developing the best version of a song and because someone made a mistake. Ringo played every take differently and never made a mistake.
Also let us remember that the Beatles were great only because of the greatness of four men composing and playing together. Without Starr in the mix, they would have sounded quite different, and probably not as wonderful. For example, Something by George Harrison is officially the second most covered Beatles song after Yesterday. If you go on to Youtube and listen to all these covers, almost all of the drummers try to copy Ringo's drum part BADLY.
Back to the photographs, what is fascinating is that he had an insider's view of the mayhem that was Beatlemania. They are great snapshots of a very special time. What is incredible is that, with no real technical knowledge in low light environments he got such good shots. I am sure that this was the result of the labs processing his film to accommodate whatever he told them that he had set on the camera but, none the less, great images.
Do they have an importance to the history of photography - well NO.
Do they give us an insight to a band that developed more in 7 years that most of a lifetime - well YES.
I grew up in the camera club scene of the 1960s and 1970s in the UK. Most of the 'greats' were defined by a single award winning image together with a solid technical body of work. Then came along Creative Camera with an insight into the developing US scene. Here it was clear that it was all about an evolved body of work rather than a single great image. That was the light bulb going on situation for me. A real way of defining someone's work is how the current body of work makes a comprehensive and complete statement. So back to our dear loved national treasure Ringo, who the hell made a more comprehensive contribution to seven years of evolution (just compare that to the Stones - not withstanding their better ability to energise live but, my o my, creative development over the same period) that saw four young lads go from 4/4 love songs to some of the most complex contemporay music ever attempted.
Bests,
David.
www.dsallen.de