I have found that some of the 35mm film I put in to the local 1 hour lab has a similar problem. The film is processed in chems, than scanned and digitally printed. I ask them to reprint certian pics without overdoing the colour intensity. I really dislike super saturation. Green plants should not look like they are neon or radioactive.
The one that gets me is all the noise you get in certain types of shots. I've mostly had it come up with shots where a lot of the scene is in shadows (such as around sunset). I've also seen it in other peoples' prints when there's a lot of haze or mist. And that's not even talking about the over-saturated colours.
Fortunately, one of my friends works at one of the local drugstores and maintains the processor as if it were a pro lab. I get him to run all my C-41 now and when he gives me digital "contact sheets" he keeps the saturation down and prints them pretty low contrast so I can really see all the detail that's in the negs.
The one that gets me is all the noise you get in certain types of shots. I've mostly had it come up with shots where a lot of the scene is in shadows (such as around sunset). I've also seen it in other peoples' prints when there's a lot of haze or mist. And that's not even talking about the over-saturated colours.
Fortunately, one of my friends works at one of the local drugstores and maintains the processor as if it were a pro lab. I get him to run all my C-41 now and when he gives me digital "contact sheets" he keeps the saturation down and prints them pretty low contrast so I can really see all the detail that's in the negs.
digital printing isn't the problem, poor printing/proscesing is. I've run a frontier(digital) and an SFA(optical). At first I prefered the SFA because of the above mentioned problems, but once I figured the damn thing out I'm able to make way better prints than I ever was with the SFA.