Leonard Peterson
Member
- Joined
- Sep 10, 2004
- Messages
- 10
- Format
- Large Format
I had the opportunity to travel quite a bit this fall and early winter. I decided to answer for myself once and forever the question of film being at risk during travel. I carried on the following, two EXPOSED sheets of each: Ilford FP4, Fuji Astia 100F and Fuji pro160S. I went from Milwaukee to Denver, Milwaukee to Albuquerque, Milwaukee to Orlando and Chicago to Paris, France, all round trip. The film holders were just put in my camera bag with no further protection. I let them go through the machines, no hand inspections. In a couple of cases the examiner left it in the machine a while looking at all the metal of the 4x5 and lenses. I processed the Ilford myself using my normal times and developer. The color went to the lab. I should also add that this film was fresh from B&H in September but was not kept any cooler then my basement at 70 degrees. I had the film with me while traveling in all the locations for 1 to 2 weeks in each place. In other words I didn't worry about keeping it cool. ALL film showed absolutely NO adverse effects in any way shape or form. I am no longer going to worry about these issues. If I have to carry film on the plane that's ok. As a side note I always find it funny when people make a big issue out of keeping film cool. I worked in a camera store back in the 80's. Film woulld arrive from Kodak, Fuji, Ilford etc. in a UPS truck in the middle of summer. It was in a hot truck for 2 to 10 days. We put it in a cooler because that's what the "pros" expected to see. There was never any complaints of film being bad.