Mark Sawyer
Member
This might best be understood as the auction itself being a piece of performance art, with the winning bidder being as much the artist as the "re-photographer." The current divergence of directions in the art world precludes the importance of individual pieces without the self-fulfilling pedigrees of absurd prices.
It does have some of what artsy- (as opposed to art-) collectors desire: cynicism, large scale, and a loaded imagery that means one can write on and on about it, although, really, one can write on and on about the lint in one's navel. But the non-archival nature of the color photograph defines it as unfit for long term display and as a long term investment. (What will be the value of the badly-faded original in fifty years' time?)
In the end, the work is a cynical comment even on the system it sold within; there is enough wealth concentrated in the decadent hands of a very few that they have nothing better to spend it on than the artwork-of-the-moment, all likely subsidized by a tax-break at the expense of the tax-paying Wal-mart workers who can barely afford their own generic alternatives to Marlboros...
It does have some of what artsy- (as opposed to art-) collectors desire: cynicism, large scale, and a loaded imagery that means one can write on and on about it, although, really, one can write on and on about the lint in one's navel. But the non-archival nature of the color photograph defines it as unfit for long term display and as a long term investment. (What will be the value of the badly-faded original in fifty years' time?)
In the end, the work is a cynical comment even on the system it sold within; there is enough wealth concentrated in the decadent hands of a very few that they have nothing better to spend it on than the artwork-of-the-moment, all likely subsidized by a tax-break at the expense of the tax-paying Wal-mart workers who can barely afford their own generic alternatives to Marlboros...