Hi Simon, I have to admit that I've never tried SFX - I must give it a go over summer here in Sydney. Can you explain what you mean by its characteristics in regards to architectural photography, as that is one subject I will try it with.ILFORD SFX has a very loyal following, and has unique attributes in relation to architectural photography that cannot be replicated with a full IR film.
The main negative issue is in relation to our own automated emulsion preparation systems that aid 100% batch to batch consistency, this depends on a 'minimum' make that can be coated and / or stored dependant on coated volumes.
Is that consistency really needed?
Could not each batch offered as "special run", without spoiling the quality/consistency Ilford/Harman have built up?
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