Thomas and Ian, how do you store the stock to be used as replenisher? I am guessing that the working stock will be in a mostly full bottle, no problem there, but for the replenisher the bottle will be getting more and more empty all the time. Do you take steps to keep air out? Do you store in smaller bottles so that it only has air on it for a smaller amount of time?
Thanks!
Mark, you drinking that much wine on a Friday morning?
Hi Mike,
I started seeing my process stabilize at about 10 rolls (120 / 135 mixed), but started looking better with every roll after about 5 rolls. The process might run with more contrast in the first two or three rolls if you don't season (I didn't, and I held back dev time about 20% and got perfect negs).
Keep in mind that when your 3 liter replenisher is spent, you just get another 5 liter kit and continue replenishing with it in perpetuity.
Good riddance! (This is pretty easy, I'm sure you'll love it).
- Thomas
Hi Thomas,
Thanks for the information. Since I have a bunch of old film that somebody gave me that is not so great for camera work, I think that I'll sacrifice them to season the developer and start of with a seasoned batch for testing.
Mike
I thought about the seasoning period myself and I guess the best method would be to develop some films (depending on the volume that you plan to replenish) as usual, but keep the used developer afterwards. Once you have enough of used developer, replenish some of it and you might get close to the seasoned developer, without sacrificing any film. Any comments?
I thought about the seasoning period myself and I guess the best method would be to develop some films (depending on the volume that you plan to replenish) as usual, but keep the used developer afterwards. Once you have enough of used developer, replenish some of it and you might get close to the seasoned developer, without sacrificing any film. Any comments?
Not sure what you mean, honestly.
Your working solution is what's seasoned, so yes you have to use it a few times and run X number of rolls through it (depending on total volume of you working solution). Then your replenisher is fresh and unused Xtol, of which you add 70ml+ after each roll of film you process...
- Thomas
Maybe there will be a market for dead XTOL if this thread goes on... And, if the developer dies on you, you can still use it as a starter for a new batch and mix in say 25% of your dead batch. The byproducts will still remain and will help season the new batch quicker.
Instead of keeping an eye on the activity of the developer, I was thinking about using some fresh and keeping it for later (replenished) usage. Let's say that you start with using 300ml of dev for every 135 film and accumulate 1,5l of used developer. That should get you close to the point you'd want to be, wouldn't it? In other words, don't start with 1,5l of developer to be seasoned. Make it with 5x300ml batches.
Maybe there will be a market for dead XTOL if this thread goes onOr something like: Send me your fresh XTOL and you will get some seasoned one in return. It might be a good way for people using XTOL undiluted to dispose their used developer
Cheers
Ruediger
Never thought of that. What would the gain be?
Here you go, just do not call it crusty and old. Call it starter kitYou mean getting people to pay for crusty old developer?
When I used Edwal 12, it was also replenished. And a friend of mine sent me a starter kit containing, I think, 250 or 300ml old brown. It helped to season my developer faster.
Use less films with a developer that you don't fully know how it works. Once you have enough of the used, replace part of it with fresh and start replenishing. Don't know how much that would help, it's just a thought.
Here you go, just do not call it crusty and old. Call it starter kit
Cheers
Ruediger
LOL. I'll let you know as soon as the bottle has been designed.
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