df cardwell said:Some context: D23 was designed as a substitute for D-76, with superiour characteristics which would be suitable for replenished tanks in commercial labs. This was circa 1940. As simple as it SEEMS, D-23 is an extremely elegant developer.
Kodak specified DK-25R, and instructed that one replenish the developer with 6 gallons of replenisher for every 1000 rolls processed. Further, Kodak specified that the developer be replaced after 100 rolls per gallon ( 8000 sq. inches ) have been processed.
I know that upon ocassion, this instruction was overlooked. Replenishment succeeds when there is a high volume of film being processed regularly. In daily use, the stuff never really goes bad, but at some point the balance can't be maintained. Like keeping a color processor happy, running a couple rolls through the works in a week isn't really a happy way to go.
John Bartley said:This isn't an answer, but is a reasonable question I think. Given the extreme cheapness with which D23 can be made, how much savings can there be in replenishing? Making the replenisher is as much work as mixing up a fresh batch, so why not just start new?
cheers from a D23 user (no longer attending the Rodinal church)
Lachlan Young said:Let's see...that must make you a non-conformist?
More seriously, what sort of dilutions/development times/EIs are you using/ getting with D23?
df cardwell said:There is a Method in his non-conformity.
A good starting time for D23 is the suitable D76 time. Use it straight, generally. Depending on what you want. We can throw all kinds of trivia around: watcha want to do, and what should it look like when it's done ?
Note: the big difference in a replenished D23 is a minimized grain, a smoother look. But it isn't grainy at all, and keeping a ripened, replensihed developer takes some attention.
df cardwell said:It isn't replenishment that kicks the highlights up, it's the glycin
D23, replenished or not, is virtually identical to D76.
Replensihed simply smooths the grain, not a big concern. One shot D23, diluted 1+1, like D76, is a great developer.
Or you could just use D76 / IDll......
df cardwell said:nothing
the pH is too low
Lachlan Young said:What I would like to know are your opinions about
replenishing vs diluted D23 ... Also, what sort of capacity
would be expected? Lachlan
Tom Hoskinson said:Yes, you would be better off with FX-2 if you want the glycin look.
dancqu said:I've made use of an 8-80 D-23; 8 grams of metol and 80
grams of carbonate. At 1:3 dilution and 500ml solution
volume I've gotten plenty of development.
snip...
Not exactly what you asked, but my vote is to NOT replenish developer unless this provides a specific "look" you are after. It's so damn cheap to make or buy, relative to the value of time and materials expended to take photographs and make prints, it strikes me as a false economy.Lachlan Young said:During the recent discussion about 777 there was mention of running a replenished D 23 line. Replenished D 23 appeals not least because of the low cost of setting up. What I would like to know are your opinions about replenishing vs diluted D23 and what sort of development times/EIs would be expected from this. Also, what sort of capacity would be expected?
All help much appreciated,
Lachlan
Zathras said:Carbonate? I imagine you would get plenty of development.
This is a typo, is it not?
Mike Sullivan
Gerald Koch said:an established, predictable developer
dancqu said:Is there THE Standard Developer: A single
developer with which all other developers
are or may be compared? Dan
Many would say yes, D-76. I really don't know of any manufacturer who doesn't publish D-76 development times for their B&W camera films.dancqu said:Is there THE Standard Developer: A single
developer with which all other developers
are or may be compared? Dan
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