For me, the 28/2.8 AIS and the 105/2.5 AIS are indispensable and see a lot of use. The 28 is very sharp and with CRC is my standard walk-around lens for nature, hiking, etc. It's much better that the older AI version. 35mm is almost a "normal" lens for me, so 28mm fits that sweet spot without the distortion that you can get with wider lenses. Shot below was taken with this lens.
There are reasons the 105 is a classic, but the AIS version is also sharp, which may or may not be your taste for shooting portraits. I prefer the older 105/2.5 Nikkor-P (converted to AI) for portraits, as it's the older Sonnar design and not as sharp up to about f:5.6, but still a killer lens.
The older 85/1.8 pre-AI is also great, if you don't need the reach of the 105. I've had all of my pre-AI lenses converted to AI, so I can use them on all my bodies, from Nikon F to D90.
I often carry a fast 50 for low-light situations. The 50/1.2 was good, but a bit bigger and heavier than the 50/1.4 (especially on a small body like an FE/FM), so I sold the faster lens. The 1.2 is also about twice the cost of the 1.4, for not much more speed. That being said, the 50/1.8 and older 50/2 are just about optically perfect and cheap as chips, if you don't need a faster 50.
Best Nikon lens I've ever used was the 180/2.8 AF ED-IF, if you ever have need of something in this focal length. Got some incredible results for stage/concert photos on film and digital, although not the fastest AF if you're shooting action.
Nikon F3, 28/2.8 AIS
View attachment 220814
In my opinion all Nikon AI and even some pre AI LENSES ARE TOP PERFORMERS available at bargain prives at the momrnt. I bought a few pre AI lenses and had them AI-ed by Mr. White in Michigan(very reasonable and very good). If you can livr without AF, that's the way to go.Although my Nikon FE is not my main shooter, it stills sees a lot of action and I've come to the realization that the cheap lenses I bought 15-20 years ago are not aging well. What I thought were cleaning marks on one of my lenses was separation. Others have other issues. So I'm thinking I might do a full replacement for my main users (currently 28mm, 50mm, and 105mm). I'm not tied to those focal lengths, I'd consider others (24mm, 55mm, 85mm, etc). I have a 20mm lens and a tele-zoom lens (70-200) that I use occasionally but neither need replacing. I'm more interested in the older manual lenses (Ai-S) but would consider AF lenses as well as I do have an F100 floating around somewhere too. The 105mm f/2.5 AiS is one I've been considering for a while, but I'm open to other suggestions.
So this question is for the Nikon diehards who have shot with a multitude of lenses - if you were starting from scratch, which 3-lens combo would you suggest, and explanations as to why you like one over the other would be useful (like 50mm 1.2 vs 1.4, or 35mm vs 50mm). I'm trying to keep an open mind about things and not necessarily continue with what I've previously shot with. I want to stick with the three-lens combo (wide, normal, slight tele) since that's what I mostly use when I travel.
...if you were starting from scratch, which 3-lens combo would you suggest...
I want to stick with the three-lens combo (wide, normal, slight tele) since that's what I mostly use when I travel.
I like the 24,50,85 combo the best.Here is my three-lens combo list:
14, 28, 85
24, 35, 85
24, 35, 105
24, 50, 105
24, 50 Series E, 100 Series E (expendable kit)
24, 50, 105 macro (favorite landscape kit)
24, 50, 135
24, 50, 180
24, 55 macro, 105 macro (macro kit)
28, 50, 105 (my favorite for theatre)
28, 50, 135 (my original favorite)
28 with reverse ring, 55 macro, 105 macro (macro kit)
28, 85, 135
35, 50, 85
35, 50, 105
35, 85, 180 (my current favorite)
The Nikon lenses in my inventory include:
14mm f/2.8 AF-D
24mm f/2 AIS
28mm f/2.8 AIS and 28mm f/3.5 pre-AIS
35mm f/1.4 AI and 35mm f/2 AI converted
50mm f/1.4 AF-D and 50mm f/1.8 Series E
55mm f/3.5 AI converted macro
85mm f/1.4 AF-D and 85mm f/1.8 AI converted
100mm f/2.8 Series E
105mm f/2.8 AIS macro
105mm f/2.5 AIS
135mm f/2 AIS and 135mm f/3.5 AIS
180mm f/2.8 AI converted
All of the prime lenses in my inventory have aperture rings.
I do not like Nikon G lenses with no aperture rings.
I use a wide/normal/telephoto three-lens combo on my medium format film camera.
However, for my 35mm film cameras, I prefer a slightly wide/slightly telephoto/telephoto three lens combo.
Favorite 3-lens combo by Narsuitus, on Flickr
Then again, I kind of compare all 50's to my Pentax K 50/1.4, and that lens has kind of ruined me on what a 50 can be.
... Ai Zoom Nikkor 25-50mm f/4 ...
The 25-50mm is a little bit on the heavy side but an often underrated lens with remarkable IQ. ...
talking about range of focal length: this trhread made me take out my 24-85 f/2.8-4D again and stopped down to f5.6-8, it is a brilliant performer!The question I would ask is do you find anything lacking (in terms of focal length) with your current trio of 28mm, 50mm, and 105mm? If not that is a very well rounded trio.
For me personally, it depends on what I'm shooting that day. If I'm going out hiking or someplace where my focus is primarily on my surroundings, then I will carry a 24/35 combo. If my focus will be on people I'm with, I will carry a 28/50 combo. I never shoot longer than 50mm. I had an 85mm f/1.8, which was a beautiful lens, but I sold it because it was collecting dust. I currently have a 105mm f/2.5 and a 80-200mm f/4.5. Both are beautiful lenses, but alas, they are just collecting dust.
Over the years I've owned maybe 3 dozen Nikon MF lenses of all focal lengths and I found all were plenty capable. Once you decide which focal lengths will best fit your needs, the questions then become: What compatibility do you want/need? How much lens speed do you want vs. how much weight do you want to carry? And perhaps most important, what is your budget?
FWIW, I currently own 20mm f/4, 24mm f/2.8, 28mm f/2.8, 35mm f/2.8, 35mm f/2, 50mm f/2, 50mm f/1.4, 105mm f/2.5, 28-45mm f/4.5, and 80-200mm f/4.5. All are K-Type non-Ai, which had far more to do with collecting than the optics being superior to any of the other versions.
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