You could damage it with extreme heat, physical manipulation (scratching or abrading) or X-ray exposure.Would I be able to manipulate the look of the film without changing the development chemistry or changing camera settings. What I mean is by default the film would give that "certain" look without changing anything out of the ordinary.
What do you mean by that "certain" look? Do you mean when there's halos around light sources like how Cinestill800 looks? If that's the effect you're trying to get then Film Washi F is the only one that I know that doesn't empty your bank. Although it's a BW film, it's cheaper af than Cinestill.Would I be able to manipulate the look of the film without changing the development chemistry or changing camera settings. What I mean is by default the film would give that "certain" look without changing anything out of the ordinary.
Good question.Why????
I also wonder why? There is a risk of Multi coloured fringing around every bright object if there is not an Anti-halo layer.
Why????
What do you mean by that "certain" look? Do you mean when there's halos around light sources like how Cinestill800 looks? If that's the effect you're trying to get then Film Washi F is the only one that I know that doesn't empty your bank. Although it's a BW film, it's cheaper af than Cinestill.
Look up some really old Kodak formula books. You will find formulas of all kinds for dyes for lantern slides and movie films. You can tone black and white film, you need silver to tone. Black and white reversal films offer more control than fiddling with color film.I was wondering if it was possible to remove the anti-halation layer in still 35mm film. I have been experimenting with some cheap experimental film to see if I can give a unique look to it.
Remjet is used on motion picture negative film for a couple reasons (that this amateur knows of) cine film is on a Estar polyester base that is stronger, it is more subject to light piping, which is "halation" also, cinema film cameras churn through miles of film, some of the internal parts are smooth as silk chrome plated steel, the remjet dampens any tiny reflections. .
The dyes serve + several tasks, as spectral sensitizing , filtering and adding neutral density.If you want to wash the dye off tabular grain color films, I'm not really sure what this dye does, it's definitely not remjet.
Remjet is used on motion picture negative film for a couple reasons (that this amateur knows of) cine film is on a Estar polyester base that is stronger, it is more subject to light piping, which is "halation" also, cinema film cameras churn through miles of film, some of the internal parts are smooth as silk chrome plated steel, the remjet dampens any tiny reflections.
Kodak Vision films, even the negative film is n polyesterwith a few exceptions - like IMAX and high speed cameras, Normal Movie Negative is on an acetate base.
REMJET is great for anthallation, it is also Conductive so helps keep down static. (one Lightning bolt defect would ruin an entire shot) and also provides a bit of lubrication. (the film goes through the Camera at 90 feet a minute)
the Print film - used in Projection used to also have REMJET and is on Polyester base, but the current 2383/3383 has a permanent antisatic coating on the back - Light piping is not an issue as it is only used in the dark.
the anti halo on Still film is between the base and the emuslion, and is cleared by the same "Bleach" that turns developed silver back into a halide so it can be removed by the fixer. Still colour is almost universally on a acetate base.
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