I was unclear about whether the next two installments would be an extension of this and feature Kim, John and Randy again or if there would be new contributors or something different entirely. I guess we'll find out in due time.
Also, two different Brett Weston biographies are out right now. One by John Charles Woods and another by Randy Efros. Both interesting and each paints a slightly different picture of the man than the other...
Shawn, that is true. Have you considered the motivations of the two authors, and why the picture of the man is different?
Best,
Merg
Hey Merg! Hope you are doing well. I have given that a fair amount of thought, based on information in the biographies themselves and some other interviews I've read. It would seem the authors certainly had different experiences with Brett...
On another note, I listened to your Lenswork interview again a couple of weeks ago while working in the darkroom. It may be the best .99¢ I've ever spent. =)
Hi Shawn, good to hear from you, all is well here.
I took a look at your new work, and some old. You have a very fine portfolio accumulated over a few years. Congratulations! I bet those contact prints are real gems. My early work, the first ten years, were all 4x5 contact prints. The small prints demand a close look. I have never understood the big print craze so often seen these days. I guess ink made it easier to go big, although Ansel was printing large in the 1950's; some mural size on commercial assignments. Of course, his subject matter did not suffer from being large.
Almost had forgotten the LensWork interview, glad you found something worthwhile in it.
Keep in touch.
Best,
Merg
Part 2 is up. Can't wait to watch this tonight!
http://www.youtube.com/watch?v=q54z_NX2Ir0&feature=youtu.be
Yes, the one I desperately want to read... but cannot afford! =)
I recall in 1968 his print of Garrapata Beach was offered at the Focus Gallery in San Francisco for $45. I checked the print bin on every visit and it was still there, month after month.
Nor could I, but was rewarded for contributing to the project. There are, by the way, none of Brett's photographs reproduced in the book. It is a tribute to Brett in writing, mostly by those who knew him early in his career --- the 40's, 50's and even the 60's when he was struggling to make a living. I recall in 1968 his print of Garrapata Beach was offered at the Focus Gallery in San Francisco for $45. I checked the print bin on every visit and it was still there, month after month.
Shawn, as an example of the contents of the book, Brett Weston at One Hundred, was this piece written by his longtime friend Richard Miller. It captures the early years I was speaking of in Brett's career, written with love and insight. I will attach it in case it is unfamiliar to you or other members of this forum.
Best,
Merg
http://www.richardcmiller.com/portfolios/the-westons/portrait-of-a-friendship/
Shawn, as an example of the contents of the book, Brett Weston at One Hundred, was this piece written by his longtime friend Richard Miller. It captures the early years I was speaking of in Brett's career, written with love and insight. I will attach it in case it is unfamiliar to you or other members of this forum.
Best,
Merg
http://www.richardcmiller.com/portfolios/the-westons/portrait-of-a-friendship/
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