My local lab told me they can only buy old used equipment.
interesting.... Do you happen to know their names? I could pass that along to them. I assume these are commercial units.There still is one manufacturer of roller transport film processors in all tastes.
There still is one manufacturer of hanger transport processors.
Inflation in action.When watching detective movies from 1950s, do you ever wonder why anyone would get excited by theft of $5000 necklace or $200,000 bank heist?
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When watching detective movies from 1950s, do you ever wonder why anyone would get excited by theft of $5000 necklace or $200,000 bank heist?
Hey Yeah.......are we so sure Mark's Father did not have..."other"... reasons for joining this program.?
This is an advertisement from Popular Photography of 1944.
Second hand of course
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Well Said.I understand why this subject comes up regularly.
When it comes to people who participate in retail markets, a large percentage get real enjoyment from buying new things.
In addition, most people in the outside world (not Photrio) don't have the skills or knowledge to evaluate the condition or suitability of most of the used camera equipment out there.
As well, it isn't like some of the other robust used equipment markets out there - compared to something like the used car market, there isn't a large and visible industry available to check and service used cameras.
For those of us who are comfortable buying used cameras, we look at the film market and the camera market as being separate markets.
For most people though, they look at the camera market and the film market (and the photo processing market) as being a single market, and the relative unavailability of new and accessible components is a real disincentive.
My beginner photo class from last semester is a perfect example. Mostly 20 year olds in that class, and a few observations were interesting.
They had no preconceived ideas about (just for example) Nikon being "better" than Canon, and were not hung up on any of the iterations of any of the models.
They had grown up with Zooms, and were kind of surprised at the lack of Zooms from circa 1975.
Most of them seemed to enjoy the "low tech" aspect of a Film SLR.....simple meters, simple batteries, and the relative "ease of use" when comparing a SLR to a Digital SLR.
Could be.....i think the point Matt was making is that there is a new generation of photographers that Like the old cameras, and they want THAT, but in a NEW Camera.?But would just that not be an argument for buying used cameras?
...If a company could offer something "like" an Oly OM1, Pentax K1000.....with a 50mm f/2 lens for 500 bux.....i think they would sell.
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500 dollarz comes hard these days. My Linhof outfit, STIV, 90, 150, 270 factory cammed with 56x72 Super Rollex, Anatomische grip, sports finder, varifocal optical finder, 20 as new Riteways, case, all original boxes, Linhof passport, cost $1500 in 1986, less than a third of it's market value. Deardorff V8, $995 with two filmholders, 4x5 back, case, a good but not great price at the time - 1989.Could be.....i think the point Matt was making is that there is a new generation of photographers that Like the old cameras, and they want THAT, but in a NEW Camera.?
No right or wrong perspective here, as always, some people will see it a bit different than others
I am simply guessing, but my personal break point would be 500 dollars. If a company could offer something "like" an Oly OM1, Pentax K1000.....with a 50mm f/2 lens for 500 bux.....i think they would sell.
I have spent 20-150 on several SLR bodies, and then still had to send them out for a 100-300 dollar CLA.......
Could be.....i think the point Matt was making is that there is a new generation of photographers that Like the old cameras, and they want THAT, but in a NEW Camera.?
No right or wrong perspective here, as always, some people will see it a bit different than others
I am simply guessing, but my personal break point would be 500 dollars. If a company could offer something "like" an Oly OM1, Pentax K1000.....with a 50mm f/2 lens for 500 bux.....i think they would sell.
I have spent 20-150 on several SLR bodies, and then still had to send them out for a 100-300 dollar CLA.......
As others have stated, there is very little incentive for a company to march out a new film camera in 2018. We now live in a niche market. Sort of along the lines of vinyl records. Yes, a segment of photographers still shoot film, but more "family" market cameras are digital. And the consumer drives the market..
I agree, as long as existing film cameras are affordable (some are dirt cheap - less than the cost of buying and processing a couple of rolls of film), any new model will have it's work cut out.
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I can see film photography start to contract again with the price of cameras, film and dev/scan rising.
The OM-1 is completely manual.A K1000 equivalent maybe, but not an OM1: the aperture priority automation would add both electronic and mechanical complexity that would necessitate a higher retail price.
I believe you're mistaking it with OM-2. The only thing that battery operates in OM-1 is "matchstick" type light meter.A K1000 equivalent maybe, but not an OM1: the aperture priority automation would add both electronic and mechanical complexity that would necessitate a higher retail price.
The main problem is that those old cameras, such as Nikkormats, were made to last a long time!
I'd probably also argue that part of the reason for an increase in interest in film is because of how cheap film cameras are/were.
People were picking them up from relatives for free, or picking them up from markets and charity shops for next to nothing. That phase has almost ended, with things like the Olympus Mju ii sky rocketing in price.
I can see film photography start to contract again with the price of cameras, film and dev/scan rising.
I wonder why people like the Olympus MJU II. I wouldn't even pick it up if I saw it in an estate sales.I'd probably also argue that part of the reason for an increase in interest in film is because of how cheap film cameras are/were.
People were picking them up from relatives for free, or picking them up from markets and charity shops for next to nothing. That phase has almost ended, with things like the Olympus Mju ii sky rocketing in price.
I can see film photography start to contract again with the price of cameras, film and dev/scan rising.
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