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hoffy

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Howdy,

Just a bit of a "how did they do it" type of question.

I have been looking at some period (40's, 50's, 60's) glamor/pinup portraiture of late and have been wondering how I could possibly re-create certain aspects.

The one thing that has struck me is how often the lips nearly look very dark and often nearly completely black. Considering that the skin is also quite washed out, it has my thinking how and why does this occur? Is it due to the use of Ortho film? Or is there filtration in play?

Can anyone give me an insight?

Cheers
 

Dr Croubie

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I saw a documentary thingy where they were re-creating the filming of a silent B+W movie, not sure from what era (it was a hand-cranked cine-camera, at least).
There, they used Blue lipstick to get the right shade on the B+W film...
 

Molli

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I'm going to go with a blue filter as well. I did a filter test and, while I wasn't wearing lipstick (no other model handy at 3 in the morning), my lips were significantly darker than without a blue filter. Unfortunately, I have freckles so they were more noticeable, also. If you're not wanting to show up freckles or other blemishes, a decent coating of foundation is definitely required!
 
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hoffy

hoffy

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I'm going to go with a blue filter as well. I did a filter test and, while I wasn't wearing lipstick (no other model handy at 3 in the morning), my lips were significantly darker than without a blue filter. Unfortunately, I have freckles so they were more noticeable, also. If you're not wanting to show up freckles or other blemishes, a decent coating of foundation is definitely required!

And this is exactly why I am confused! I would have said a blue filter, but that is hardly going to be flattering for a Hollywood starlet! Often, I have noticed that the skin is really blown, but yes, I suppose a lot of that could come down to makeup (my wife hardly wears makeup, so it never comes to mind straight away).

I suppose I am also a touch confused with the likes of Bettie Page - when ever you see her in colour, she has that candy apple red lipstick, but in B&W those lips are quite dark. I also suppose, how often would have she been involved in a shoot at the same time that was both in colour and B&W.
 

Molli

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I saw a documentary thingy where they were re-creating the filming of a silent B+W movie, not sure from what era (it was a hand-cranked cine-camera, at least).
There, they used Blue lipstick to get the right shade on the B+W film...

That surprises me given that, to the best of my knowledge, film has always been most sensitive to blue. Then again, throw on an orange filter and you're killing two birds with one stone with the blue lipstick - dark lips and glowing white skin. It would obviate the need for a blue filter (thus lessening the need to cake on the make up) and would avoid zombie white eyes for those of us with blue eyes.
Okay, that works for me :smile:
 

Rick A

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In the old days, they only had orthochromatic film, no red sensitivity.
 

benjiboy

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In the old days, they only had orthochromatic film, no red sensitivity.
Quite correct Rick, films were not panochromatic (sensitive to all colours)
you just beat me to it.
 

Molli

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Given that Hoffy spoke of the 40s, 50s and 60s, I discounted orthochromatic films as the cause since they were phased out of use in Holywood studios during the late thirties. I'm going purely from Roger Hicks and Christopher Nisperos' 'Holywood Portraits' book here. All of the decades mentioned are just a tad before my time :tongue:
 

removed account4

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In the old days, they only had orthochromatic film, no red sensitivity.

yup, there was TRI-X ORTHO as well ( asa 400 )
karsh used this film a lot, or something like it
we used to use it in the 1980s as well ...

you can probably recreate this look using filters

(there was a url link here which no longer exists)
 
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cliveh

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pentaxuser

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On the early Baird B&W TV models I am sure I read that the presenters had to use green lipstick to make their lips stand out. Could the same apply to still shots and could it be made even darker with red or magenta filters?

pentaxuser
 

kintatsu

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A #66 filter should do the trick. For a more intense effect, a #58 will work quite nicely. Freckles and blemishes may need some cover up, though, as they darken with the green also.
 

Gerald C Koch

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In order to get the effect of an orthochromatic film you must use a minus-red filter (cyan). A blue or green filter is not going to give the same effect. You want red light to be filtered out but not the other colors. For the color blind film used in early silent films you would use a blue filter as these films were not sensitized to other colors.

Early experiments in television used a sensor that was also orthochromatic. To compensate makeup that was green not red was used. People looked quit ghastly in person when using it.
 

kintatsu

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In order to get the effect of an orthochromatic film you must use a minus-red filter (cyan). A blue or green filter is not going to give the same effect. You want red light to be filtered out but not the other colors. For the color blind film used in early silent films you would use a blue filter as these films were not sensitized to other colors.

According to AA's Basic Photo 4, Natural Light Photography, a 38, 38A, or 66 will give a good representation of ortho film. He also says a #66 will give the most satisfactory results with its high green transmission. Although a 65A might be better suited for what your trying, based on Kodak's Pub B-3, and on the old Transmission of Wratten Filters guide.

Of course, using filters to do what you can with ortho film may seem contrary to the sensible approach, they will work in the absence of ortho film.

Panchromatic film was introduced around 1905, although it wasn't until the 30s-40s that it gained real acceptance outside cinematic uses.
 
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Drifter

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I was once told that make-up, as well as clothing and even set colours were specifically chosen to look 'right' in B/W. The cinematographers back then had a great eye for how things looked with their particular film stock. The colour publicity shots may have been something separate.
 

Sirius Glass

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Standard trick that I had used in the past, use ortho film to get the almost black lips.
 

Pioneer

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You might be able to do something similar with paper negatives.
 

Dr Croubie

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That surprises me given that, to the best of my knowledge, film has always been most sensitive to blue. Then again, throw on an orange filter and you're killing two birds with one stone with the blue lipstick - dark lips and glowing white skin. It would obviate the need for a blue filter (thus lessening the need to cake on the make up) and would avoid zombie white eyes for those of us with blue eyes.
Okay, that works for me :smile:

Actually, now that I think about it, it doesn't make sense. Maybe if they'd used red lipstick on ortho film, the lips would have appeared black, which is why they used blue lipstick to get a slight shade of grey to the lips. That makes more sense...
 
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