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- Nov 29, 2005
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Can we assume Ag Guard is the image stabilizer solution you're referring to? If so, is there a US source, or should we petition Dirk to add it to the Megaperls catalog?Ryuji said:...Fujifilm makes an image stabilizer solution containing 2-(amidinothio)ethanesulfonic acid, which is also shown to be as effective in protecting the image as weak gold toning...(The active agent in Fuji Ag Guard is strongly adsorbed on silver surface and the effect will remain even if the treated print is rinsed in water.)...
Sal Santamaura said:Can we assume Ag Guard is the image stabilizer solution you're referring to? If so, is there a US source, or should we petition Dirk to add it to the Megaperls catalog?
Mark H said:"RC is hard to retouch and unsuitable, I find, for any toning involving bleaching "
David--I'm not sure I understood this correctly, but I have used RC (mainly Ilford) specifically for toning with sepia and thiocarbamide, both of which involve bleaching. Combined sepia and selenium toning give a tone I can't duplicate on FB.
I too have successfully toned RC prints using processes that involve bleaching, but the emulsion becomes incredibly soft after bleaching and before toning, and I have accidently wiped parts of the emulsion off the base several times. This is why I prefer FB for anything other than straight prints.Mark H said:David--I'm not sure I understood this correctly, but I have used RC (mainly Ilford) specifically for toning with sepia and thiocarbamide, both of which involve bleaching. Combined sepia and selenium toning give a tone I can't duplicate on FB.
dancqu said:...
RC papers were brought into being to feed the 24 now
1 hour machine processing labs. I'm not going to trust
anything I'd like to last for generations to ANY plastic
coated both sides stiff to work with paper. Dan
nworth said:If you read the Ctein article and some of the related material, you will note that the bronzing effect only happened with framed and mounted pictures. The cause was traced, and all the manufacturers applied corrective measures.
I'm not sure how good these really were for very long term stability. RC paper has become a very complex system.
Photo Engineer said:I have to add that I'm not familar with the Fuji stabilzer, nor with the chemistry involved, but I am with the effects of Sistan.
Fuji has announced that they are discontinuing Ag Guard due to the expense of manufacturing the principle ingredient 2-(amidinothio)ethanesulfonic acid. This chemical is another example of a chemical orphan. For awhile Fuji manufactured it itself when there were no other manufacturers but it finally became impractical.Sal Santamaura said:Can we assume Ag Guard is the image stabilizer solution you're referring to? If so, is there a US source, or should we petition Dirk to add it to the Megaperls catalog?
Gerald Koch said:Fuji has announced that they are discontinuing Ag Guard due to the expense of manufacturing the principle ingredient 2-(amidinothio)ethanesulfonic acid. This chemical is another example of a chemical orphan. For awhile Fuji manufactured it itself when there were no other manufacturers but it finally became impractical.
Photo Engineer said:Both thiocyanate and thiourea were found to stabilze silver images by virtue of forming silver sulfide on the surface of the image. Just as Ctein found, some images benefit from leaving some sulfur compounds in the coating and this is where Sistan comes in.
Asking Dirk to add a discontinued item to his catalog doesn't seem appropriate.Ryuji said:Fuji didn't announce it. They just told me when i asked, so i posted this info to inform current users to stock up. Also, there are at least three manufacturers for this compound, and the synthesis of this compound is not that hard.
Ryuji said:Your method may be good enough for testing color material, which is a lot more fragile than properly toned silver image. Silver image is expected to last far longer than color image, and the main mode of degradation is oxidative one. Most sensible accelerated tests aim to investigate the weak point of the material, and in the case of b&w image, oxidative attack is the weak point. It's different from color, and your color testing method is not very good for evaluation of b&w image permanence.
You should refer to ANSI and ISO standards for the standard test methods for b&w images. IPI also issues several technical reports on these issues. There are also several publications from IPI, Konica and Fuji. People like Drago published some aspects on this in refereed journals but IPI documents indicate that Kodak wasn't very active in this area, compared to the IPI itself.
Ryuji said:Thiourea treatment is not recommended. Thiourea can decompose to form corrosive acid in presence of oxygen and light on silver surface. Thiourea treatment was used to Daguerreotype silver image in 1950s and it damages most images within 20 years. Bad record.
Thiocyanate is ineffective in low concentration, and it is harmful to silver image (accelerates image degradation) when overdosed. Thiocyanate also loses treatment effect once the print is rinsed in water. Not ideal. Plus, my test indicates that thiocyanate treated image is not as permanent as polysulfide treated prints.
The best method in current knowledge is polysulfide or gold. Next best is selenium. Sistan is less effective than these options.
Photo Engineer said:As for thiocyanate, since Sistan uses it, and Ctein sees some benefit from it, and I cannot refute the usefulness of Sistan or refute the evidence of Ctein's tests, I would have to say that there must be some benefit and some evidence otherwise Agfa's sale of the product would be rather suspect then. I think that a lot of people have used it and found it useful. I'll go with that evidence.
Ryuji said:I have been presenting the chemical mechanisms and also referring to IPI research which confirmed that double strength of Sistan can expedite image deterioration compared to untreated image. All of these sum up to the conclusion that Sistan is not as good as image protecting agent should be.
Your basis to support Sistan is pretty weak: a single report from Ctein (who apparently didn't test anything but the recommended usage of Sistan). What Ctein showed is that Sistan treatment was sufficient to prevent one particular aspect of oxidative degradation at his condition.
The goal of testing for archival processing and image permanence should be to test the material at sufficiently harsh conditions to ensure good survival of the image at all reasonable storage conditions. Ctein's test was specifically designed to make it harsh for RC paper. It is insufficient to conclude general overall efficacy of Sistan treatment, and it is also insufficient in terms of robustness of the treatment efficacy.
How many Sistan users do you think would worry enough to run standard peroxide and bleach test? I've run these tests on Sistan-treated prints as well as prints treated by other means, and I have first hand experience as well as knowledge on the chemistry of these processing. I also follow publications in scientific as well as technical journals and patents on this issue as well as many areas of photography.
Photo Engineer said:I merely point out that first, the 'wisdom' accepted at EK when I worked on image stability was that chemical tests were unreliable. Accelerated heat and light tests were reliable.
The accelerated EK tests using light, heat and humidity worked well compared to actual samples kept for 20 or more years. And, these tests were concieved years before there was an external standard that you have cited.
In point of fact, B&W image stability has been well characterized for nearly 100 years and is elaborated on by Haist.
It boils down to this, you must retain just a small quantity of sulfur compounds in your print. Too little or too much leads to image degradation, and Ctein's work has indicated the same thing.
Now, Fuji has ceased production of their stabilzer citing the difficulty or expense of manufacture, and yet you say it is rather easy to make.
I'm sure that with proper testing we might find that the Fuji compound also has 'loopholes' in stability.
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