I just mixed a 1+9 dilution and run the "negative strip test" and the fixer cleared in below 1 minute.
I don't know what this means. Do you mean the film cleared?
Don't pay attention to the "color" of the fixer. Just test it and see if it works.
You might have to fix longer than with new fixer, but if you have the time, no problem -- or decrease the dilution.
That the white milky color is colloidal sulfur that will embed itself into the gelatine.
Please throw away the fixer and buy a new bottle if you don't want to ruin your film.
That the white milky color is colloidal sulfur that will embed itself into the gelatine.
Please throw away the fixer and buy a new bottle if you don't want to ruin your film.
Thank you all for the fast answers! Really appreciated.
I fixed some paper prints with the milky fixer as I did not have a new one at hand..Should I discard them or if I refix whit a good fixer will solve the problem?
Thank you!
Continue using the fixer until it test bad with drops or cannot clear exposed film [I use the film leaders from 35mm cassettes for testing].
That happened to my fixer last time I used it.
Does heat do that? I ask because I put the bottle on top of the radiator to warm it up a bit...And while we're at it, I sometimes warm up the developer on top of the radiator too. Could that pose a problem?
Thank you!Heat will accelerate any chemical reaction, but putting your fixer on top of the radiator to warm it up a bit couldn't have done it. It was already so. Any acidic fixer (the vast majority of BW fixers) will eventually sulfur out, it's a matter of time. Avoiding long term high temperatures is a good idea, but it will eventually spoil. Neutral and alkaline fixers will keep much better.
Great to know filtering will do in a pinch!TL;DR: filtering is a decent workaround, but proceed at your own risk & tread carefully.
No, it's nearly impossible. Colloidal sulfur particles is on sub 1 micron size.
There is someting after filtering for sure because my RA4 blix looked a bit cloudy than usual after mixing (like adding a splash milk to black coffee). But it didn't cause any mottling or other issue on paper so I continue using it for not very important prints.
I am decided to pass to alkaline fixers, especially because I work mostly with lith developers.
Acid fixers work fine on lith prints, though. They don't require alkaline fixers, nor do they benefit much (at all) from them.
Have you looked into Moersch chemicals? He retails at least one alkaline fixer as well IIRC. https://www.moersch-photochemie.de/content/shop/fix_stop_waesserung/41
Alternatively, you could look for C41 fixer, which is near-neutral. If it needs to be alkaline, you could increase pH by adding some carbonate or hydroxide. C41 fixer can often be purchased fairly cheap, but tends to come in bigger amounts than you might need.
Again, I'm skeptical of the need for an alkaline fixer in your case. The only argument I can think of pertains to wash time for fiber based papers, and for that purpose, a pH neutral fixer will work just fine, too.
I always use whatever fixer I can get cheaplycurrently that's mostly a Fuji minilab C41 fixer. When it runs out, I'll search for something else.
And the good thing about these neutral fixers is: they run out, but before that they never go bad. I bought 30l of Tetenal minilab fixer concentrate for a pittance three years ago. I'm through half the concentrate, and there's no sign of deterioration. No idea, why people still bother with these acidic rapid fixers.
They still bother with acidic fixers because they don't know any better and those who do might not be able to source a neutral one easily... Minilab supplies are a little hard to find, major manufacturers (ie Ilford) don't make any, so people put up with acidic fixers.
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