I worry about people like Rankin. In what sense are they actually photographers?
I see camera work being done at the front end of the process and Rankin is doing it. At the other end of the enterprise, the end-product phase, there are no photographs. Instead a rotary press generates industrial quantities of printed illustration. Rankin is not there. When did he drop out? What did he do beside point, focus, click, and schmoose the model?
Were photographic materials merely a nuisance that had to be consumed (and ultimately discarded) as a way of carrying an image from the back of a camera to the plate setter at the print shop?
There are plenty of wonderful photographers in APUG who actually merit that status because they make photographs. The source of Rankin's fame seems to lie elsewhere.