I second this. The only somewhat difficult part, initially, is having to work in total darkness. Once you've had some practice and established a method that works for you, processing RA-4 in trays is really no more difficult than processing black and white prints. There is no need for temperature control as long as your room temperature doesn't drop below 68F.I use Kodak RA/RT Developer/Replenisher and Kodak RA-4 Bleach-Fix at 68-75F for two minutes in trays. It gives excellent results. It is so much cheaper and easier to do it this way than any other way, so I see no need to do it any other way.
The only somewhat difficult part, initially, is having to work in total darkness.
I use Kodak RA/RT Developer/Replenisher and Kodak RA-4 Bleach-Fix at 68-75F for two minutes in trays. It gives excellent results. It is so much cheaper and easier to do it this way than any other way, so I see no need to do it any other way. I have no experience with your processor so you will just have to try it at room temp if you want, but I see no reason why it shouldn't work.
Remember you don't have to work in total darkness either. There are color safelights and while not exactly bright at least it isn't totally dark either.
Remember you don't have to work in total darkness either. There are color safelights and while not exactly bright at least it isn't totally dark either.
This seems to be a contentious issue, many people say it doesn't work? On the subject, my time dial on my enlarger timer (http://i.ebayimg.com/00/s/MTIwMFgxNjAw/z/evkAAOSw6n5XsLi4/$_1.JPG) glows green, would this cause any problems?
That's right. always choose RT chemicals if you intend to work at room temperature.Thank you for responses.
I assume these are the chemicals you are talking about? http://www.ag-photographic.co.uk/kodak-ra4-developer-4x5l-295-p.asp and http://www.ag-photographic.co.uk/kodak-ra4-bleach-fix-4x5l-296-p.asp
Impossible to give an exact time, but unopened concentrates should last a very long time - at least a year or two. The particular chemicals you linked to, are conveniently divided to allow you to mix 5 litres at a time, while leaving the rest of the concentrates untouched. 6 weeks for the mixed solution is also very conservative if you store it properly, excluding all air from the bottle.It says the shelf life is 6 weeks for a mixed solution but how long for the unmixed solutions? If long enough the upfront costs may be worth it.
It's almost impossible to overdevelop with RA-4. As long as you give two minutes at room temperature, you'll be fine.By the sounds of it working at lower temps requires some experimentation, so how would I know if I'm under/over developing and the colour isn't just off as a result of the filtration values?
I definitely would avoid using the timer, unless you can somehow shield off the glow.
It's almost impossible to overdevelop with RA-4. As long as you give two minutes at room temperature, you'll be fine.
One question that pops to mind; is there a significant quality difference between RT and 103 deg f developing RA-4?That's right. always choose RT chemicals if you intend to work at room temperature.
Impossible to give an exact time, but unopened concentrates should last a very long time - at least a year or two. The particular chemicals you linked to, are conveniently divided to allow you to mix 5 litres at a time, while leaving the rest of the concentrates untouched. 6 weeks for the mixed solution is also very conservative if you store it properly, excluding all air from the bottle.
It's almost impossible to overdevelop with RA-4. As long as you give two minutes at room temperature, you'll be fine.
I bought a cheap audible metronome for the tray portion of developing. I just set it to 60 and count out loud. It works amazingly well. One of the few things I've done rightThis seems to be a contentious issue, many people say it doesn't work? On the subject, my time dial on my enlarger timer (http://i.ebayimg.com/00/s/MTIwMFgxNjAw/z/evkAAOSw6n5XsLi4/$_1.JPG) glows green, would this cause any problems?
I don't think there is any quality difference. You may just have to adjust the enlarger filtration slightly to get the same colour balance. "RT" on the Kodak packaging stands for "roller transport", not "room temperature". For Kodak, that is - for me it's "room temperature"!One question that pops to mind; is there a significant quality difference between RT and 103 deg f developing RA-4?
I ask because my Jobo had a problem over the weekend and I ended up developing in tubes on a unicolor roller at room temp and I started wondering if I'd get any difference at temp other than saving time.
You have to be much more careful with film, but it's certainly not "difficult and unattainable at home". Use a water bath, a pre-soak and try to maintain the temperature as closely as you can to 38C/100F. Don't give in to the temptation to do this at room temperature - even if some people claim excellent results. And time the development carefully.Being able to work at room temperature makes a huge difference and maybe makes the printing process even easier than b&w. It appears to be a similar issue with c41 where people feed this monster that working with colour is difficult and unattainable at home, whereas in many cases the standardised process makes it more straight forward.
You have to be much more careful with film, but it's certainly not "difficult and unattainable at home". Use a water bath, a pre-soak and try to maintain the temperature as closely as you can to 38C/100F. Don't give in to the temptation to do this at room temperature - even if some people claim excellent results. And time the development carefully.
Thanks very much!I don't think there is any quality difference. You may just have to adjust the enlarger filtration slightly to get the same colour balance. "RT" on the Kodak packaging stands for "roller transport", not "room temperature". For Kodak, that is - for me it's "room temperature"!
Thank you for responses.
I assume these are the chemicals you are talking about? http://www.ag-photographic.co.uk/kodak-ra4-developer-4x5l-295-p.asp and http://www.ag-photographic.co.uk/kodak-ra4-bleach-fix-4x5l-296-p.asp
It says the shelf life is 6 weeks for a mixed solution but how long for the unmixed solutions? If long enough the upfront costs may be worth it.
By the sounds of it working at lower temps requires some experimentation, so how would I know if I'm under/over developing and the colour isn't just off as a result of the filtration values?
According to a posting in this thread on flickr, the low-utilization (LU) replenisher works fine at room temperature:The bleach-fix may work but I am unfamiliar with the developer. What is known to work, and what I use is labeled "Kodak Ektacolor RA Developer/Replenisher RT". The link's is labeled RT/LU. I would look for the RA and RT.
According to a posting in this thread on flickr, the low-utilization (LU) replenisher works fine at room temperature:
"I use the RT/LU replenisher to do RA4 paper negatives. Works with supra endura at room temperature as well."
This seems to be a contentious issue, many people say it doesn't work? On the subject, my time dial on my enlarger timer (http://i.ebayimg.com/00/s/MTIwMFgxNjAw/z/evkAAOSw6n5XsLi4/$_1.JPG) glows green, would this cause any problems?
There is no doubt that many do it safely. But people have varied opinions and experiences, with many having decided that it's too risky or not worth the trouble. In that sense it's contentious. Kodak themselves are very cautious in their recommendations. This is from their publication J39:I haven't seen any contentiousness on the topic of color safelight safety in the several years I've been doing RA-4. PE does it safely, and I believe he leaves his on all the time. I do it safely, although I usually turn the light off once I've found my way from enlarger to trays without tripping and killing myself (its about 35 feet), just because I'm a worryer. Many others do it safely.
I think this is unnecessarily alarmist, but it does underscore the fact that using a safelight for colour requires a lot more caution than with b/w.Handle unprocessed papers and materials in total darkness. Be sure that your darkroom is lighttight. Eliminate stray light from enlarger heads, timers, LEDs, etc.
Note: Using a safelight will affect your results. If absolutely necessary, you can use a safelight equipped with a KODAK 13 Safelight Filter (amber) and a 7½-watt bulb. Keep the safelight at least 1.2 metres (4 feet) from the paper or material. Run tests to determine that safelight use gives acceptable results for your application.
I have often wondered whether this holds true for other RA-4 chemicals. Who knows, perhaps most can be used successfully at room temperature.I have also used Arista RA-4 chemicals at room temperature and they seemed to work fine. I only did it once or twice to test out using trays; once I switched to trays I started using Kodak RA/RT.
Sure, it's not what they're designed for. But if a couple of them happen to work well that way, I think it's reasonable to expect the same to hold true for at least some others as well. It is, after all, the same process, despite differences in formulation.I don't believe any of the RA-4 chemicals, especially developers or replenishers, are actually designed and sold to be used at room temperature (68-75F). Some, luckily, can be, but each one should be well-tested before using.
Agreed. Any such feedback would have to be verified.Redfox, all of what you say makes sense, but the problem is when people say they tried something and it worked. For that to be valid, they really need to have run valid tests such as sensitometry or printing gray scales or comparing prints side-by-side with known good stuff, or other reasonable tests. Most of them never say they have done, that so we need to use caution as our results may be disappointing! We have seen this before with alternative RA-4 and C-41 processes.
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