If you leave it out, you'll initially get approx 20CC error in magenta plus more density. As your process stabilises, it will converge on the normal behaviour. So your recorded colour balances and exposures for the first few sheets will not be reproducible later.
If you one-shot, it shouldn't really matter - your colour packs and exposure time would differ from the with-starter case, but do you care?
If you leave it out, you'll initially get approx 20CC error in magenta plus more density. As your process stabilises, it will converge on the normal behaviour. So your recorded colour balances and exposures for the first few sheets will not be reproducible later.
Richard, you might find some useful info in Ctein's book, so have a look. Check Chapter 9, "Bits and Pieces," for a short section on room-temp processing. http://ctein.com/booksmpl.htm
My own experience has been hi volume, never in trays, so I can't add much to (nor confirm or deny) what the other posters have said. I can tell you, though, that simply letting your solution sit (or even diluting) won't cause it to match one with starter solution added. If you had to match other processors (with seasoned developer), you would absolutely need to use the starter solution, and even then it's barely good enough.
I don't remember when RA4 was introduced, but if you grew up on the former process, EP2, you'll find RA4 to be much less sensitive to replenishment errors, etc.
Ctein is talking about the Tetenal RA4AT kit, where the AT stood for "ambient temperature." AFAIK, it's no longer available. I used it, but had problems with yellow whites. Mostly the prints looked ok except in very white highlight areas (the yellow could, I think, be somewhat compensated for in the filter pack) but the borders were clearly yellowish. Another poster here had the same problem and has written about writing back and forth with them, and concluded it was due to chemical problems from their attempt to pack the developer in a single concentrate and the blix in a single concentrate. I don't recall which was the problem but I believe the developer - bad blix could probably be fixed by re-treating in good blix.
RPC and Polyglot may also be using different types of paper, and different types of scene. A low key portrait, where the background is nearly black, may have 3x the replenisher demand of a "normal" scene. I don't know what's up, just saying that the discrepancies could well be due to different operating conditions.This is not my experience. If I use Kodak RA-RT replenisher in a tray, without starter and dilution, the first sheet will have the same color balance as the rest. If there is a difference, it is very small, certainly not 20cc.
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