1) Would the "milkiness", veiling flare and low contrast of an uncoated 1920s lens, or the clinical high contrast of a newer Fuji lens, more closely approximate the human eye?
2) What role do our eyelashes play and what would happen if you attached a step-up filter with a bunch of glued-on strings arranged like our eyelashes are? I think if the eyes are almost closed the lashes almost take the role of a cross-screen filter.
3) The eyelid and squinting are like an aperture, but it's a horizontal rather than circular aperture. The iris is a circular aperture. Both of these work together. Or is it better to think of the eyelid as a hood which sometimes vignettes?