Or if my wife says I would prefer you have me upside down tonight honey I would be confused. You mean like yen yang or like canines?
When I rotate the back on my Super Graphic they ask why does the image not rotate with it."Why is the camera upside down?", to which I sometimes tell them that they have to stand on their head.
When I rotate the back on my Super Graphic they ask why does the image not rotate with it.
When I rotate the back on my Super Graphic they ask why does the image not rotate with it.
Since this is now my thread about anything to do with view cameras (although I do like the turn it's taken recently); a question about film.
Do people shoot color negative film in large-format cameras? Is it common? It seems to me that the big landscapy/'calendar photo' genre photos would be shot on something like Velvia. But unless you have a 4x5 projector, it would seem printing would have to be done digitally for the most part, wheras you could put a sheet of color negative film in a 4x5 enlarger.
I don't know anything about view cameras and have never even seen one used. I understand that you can look at the back of the camera and see the image upside-down on the ground glass, and then you use that to focus the camera.
So that means the lens is focused on the ground-glass surface. So how, when you put in a film holder and retract the darkslide, is the lens focused on the film then? It would seem that due to the thickness of the film holder, it would be in front of the ground glass surface. Do you remove the ground glass before inserting the film holder?
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