I keep seeing this. I've also seen (there was a url link here which no longer exists).This is the same film as Bergger 200...
Max said:I keep seeing this. I've also seen (there was a url link here which no longer exists).
Is anyone else confused?
Max said:I keep seeing this. I've also seen (there was a url link here which no longer exists).
Is anyone else confused?
David, if I remember right, Sandy confirmed this in his testing and posted the results on the Azo forum. My empircal experience shows the same thing; I was exposing and developing the new emulsion with the old emulsion methods and getting very dense negatives, with enough contrast to warrant a water bath on Azo grade 2. Still very printable on Azo but a significant change in exposure times. I also agree with what Sandy said about developing it in ABC pyro; difficult to control. I believe the new emulsion behaves better in Pyrocat HD and has an improved range.David A. Goldfarb said:My impression is that Forte made significant changes at a certain point to their 200 speed film, as they later did with the 400 speed film (increasing density range significantly), so I suspect it is more an question of a single upgrade that took a while to filter down to all the different brands of Forte film than a random consistency issue from batch to batch.
doughowk said:Let me rephrase my question: If J&C 200 actually requires an EI of 100 ( my experience as well as others), then why use it instead of other films that are rated at ISO 100? I like Efke 100 & hope J&C Pro 100 in sheet film is as good as its 120mm version. Is there anything special about J&C 200 that would make one select it over the two previous films I mentioned?
eggshell said:I have not used J&C Pro 100. From passed experience, The films I used (Tri X, HP5 & FP4) are rated below box speed. That led to my unscientific decision for buying Classic 200. Is J&C Pro 100 a true 100 speed with conventional developer? Anyone knows? Thanks!
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