Hi,
Question: What's it for? I don't know why you'd use waterhouse stops when you have the aperture ring/blades built in. Forgive my ignorance. Can anyone shed some light?
Steve
Here are a couple of documents from the Schneider web site -
http://www.schneiderkreuznach.com/archiv/pdf/repro_claron.pdf
Steve, I think the Artar 19 in will screw into the Ilex 4 ? Maybe you could get some feed back on that.
I use a 21 1/4" Kodak Ektanon which actually has more coverage than the 24" Artar ( and they usually come cheap). Welcome to the world of ULF.
Phil,
Interesting Schneider info. I am now going to assume that Apo Artar is the 'design/function' of the lens manufactured by two different manufacturers, since my lens is clearly engraved with "Rodenstock".
Ken
Phil,
Interesting Schneider info. I am now going to assume that Apo Artar is the 'design/function' of the lens manufactured by two different manufacturers, since my lens is clearly engraved with "Rodenstock".
Ken
Ken,
Rodenstock had their own version of this lens type, but they called it the APO Ronar. Are you sure that's not what you have?
Kerry Thalmann
Robert,
Well, I read somewhere (I think here) that the 19" Artar would cover 12x20. I hope it's correct information. I bought the lens on Ebay. It was pretty cheap, so I'm not out much if it doesn't cover.
I'm going to use the camera strictly for straight-on studio still life work, so I won't be trying any extreme movements. That should help.
I just recently had a major surgery but as soon as I'm given the go-ahead to lift more than 15 lbs, I'm going to start heaving the beast around! We'll see how it works....
I may eventually try to put the lens in a shutter. Film is so expensive, I'd like to take out as many guesswork type variables (1 mississippi, 2 mississippi, etc) as possible.
Thanks for all the replies,
Steve
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