I I used the same potassium carbonate as with the Pyrocat-HD. The Pyrocat-P turns purple when the A and B solutions are combined. The developer is mixed in distilled water, not glycol, and the A solution is mixed fresh for each processing session. I let the A solution sit for an hour before putting it to use. I have run out of suspects. If you can suggest how I can get rid of the artifacts, please let me know.
I have developed dozens of rolls of TMY and dozens of 8x10 TMY films in Pyrocat-HD with no problems. I switched to Pyrocat-P for its supposed improvements. I mix my own chemicals, which I obtain from PF. I have now developed eight rolls of 120 TMY and four rolls of 120 TMX in four separate processing sessions. Each roll developed in Pyrocat-P demonstrates a number of artifacts which I would describe as random non-linear amorphous indistinct smudges, swirls and streaks, which are less dense than the surrounding image. The artifacts do not appear in the film edge or between frames. I have tried varying subject matter, developer dilution, and development time; have used acid and alkali fixer, 5:00 and 2:00 pre bath, and have tried including and omitting the sodium metabisulfite in the A solution. The films, apart from the artifacts, are robust and tan in color like Pyrocat-HD negs. The films were processed at 24C in a Jobo with continuous, slow rotation. The film is fresh, won't expire for over a year, and has been kept refrigerated. I used the same potassium carbonate as with the Pyrocat-HD. The Pyrocat-P turns purple when the A and B solutions are combined. The developer is mixed in distilled water, not glycol, and the A solution is mixed fresh for each processing session. I let the A solution sit for an hour before putting it to use. I have run out of suspects. If you can suggest how I can get rid of the artifacts, please let me know.
Mystery solved!!
I developed one roll of TMY 120 in Pyrocat-P in freshly mixed A (no sodium metabisulfite) and B solutions (1.25:1:100), and developed for eight minutes in the Jobo. The resulting negatives have no artifacts! That begged the question: When I developed all those earlier films didn't the purple color indicate good developer?? So I mixed a 1.25:4:100 developer solution using the OLD B solution and developed for eight minutes. The resulting negatives showed greater contrast than the first, but again, no artifacts. So I conclude my stock B solution went bad. It was over a year old. I had thought potassium carbonate was the gold standard for stable longevity, but I proved myself wrong. I was depressed, dejected and demoralized when I posted my problems, so I am relieved and pleased to get the good quality Pyrocat-P negatives. I want to thank all who submitted responses. I especially want to thank Sandy for generously sharing his knowledge and experience.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?