• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Pushing acros 2 stops in 35mm

Our Local Pub

A
Our Local Pub

  • 0
  • 0
  • 5
_Z721531-positive.JPG

H
_Z721531-positive.JPG

  • 1
  • 0
  • 27

Recent Classifieds

Forum statistics

Threads
202,023
Messages
2,833,937
Members
101,076
Latest member
sharpdressed
Recent bookmarks
0

msbarnes

Member
Allowing Ads
Joined
Jul 23, 2011
Messages
384
Format
Multi Format
I made a mistake today :sad:

I shot acros at ISO 400 instead of ISO 100. What should I do?

Well a 2 stop push isn't the end of the world but does anyone have any developer recommendations? I have D76 and Rodinal but I'd possibly buy another developer if it were highly recommended.
 

rphenning

Member
Allowing Ads
Joined
Mar 2, 2009
Messages
341
Location
California
Format
Med. Format RF
If Fp4 and Acros are anything alike then you'll have no problems pushing it two stops in ilfosol 3, I have had to shoot FP4 at 640 in a tight spot one time and it came out pretty nice. I forget how long I extended my times for though. (if you care, it's the shot of the kids getting out of the water under "b/w" on my website, listed below)
 

Brian Legge

Member
Allowing Ads
Joined
Jan 7, 2010
Messages
544
Location
Bothell, WA
Format
35mm RF
I'd love to see the results of someone who tries this with Acros. Its my favorite slower film but I typically jump to Tri X for the 200-400 range of speeds. If Acros can be pushed to at least 200 and retains sufficient shadow detail I may have to reevaluate when I use Tri X. :smile:
 

P C Headland

Subscriber
Joined
Mar 24, 2005
Messages
842
Location
New Zealand
Format
Multi Format
If you have access to Diafine, you can get around 1.5 stops extra without too much loss of quality.

If you want to stick to Rodinal, try 1+100 for 60 minutes - stand or semi-stand (i.e. reduced agitation).

Of course, if this is an important roll, shoot another and do some dev tests.

Let us know what you choose, and how it goes.
 

Helinophoto

Member
Joined
Aug 19, 2011
Messages
1,091
Location
Norway
Format
Multi Format
I'd love to see the results of someone who tries this with Acros. Its my favorite slower film but I typically jump to Tri X for the 200-400 range of speeds. If Acros can be pushed to at least 200 and retains sufficient shadow detail I may have to reevaluate when I use Tri X. :smile:

I use HC-110 Dilution H for 18-20 minutes or so (or B at 7-10 minutes), 200 absolutely no problem, 400 not really a problem either (a bit higher contrast off course, noise in 120 is just about non-existent).
Attached a not very explainable example of Acros shot at EI 400. (click the thumbnail-film-strip picture a few times to get to the 3000*3000 pixel browser view)
These are scans, black point adjusted to where I normally place them when making proof-prints in the dark-room, where I see a hint of the base..
 

Attachments

  • Acros100_at_400_HC-110_B_10m a.jpg
    Acros100_at_400_HC-110_B_10m a.jpg
    633.7 KB · Views: 187
  • Acros100_at_400_HC-110_B_10m b.png
    Acros100_at_400_HC-110_B_10m b.png
    344.6 KB · Views: 145
Last edited by a moderator:

Klainmeister

Member
Allowing Ads
Joined
Jun 2, 2010
Messages
1,504
Location
Santa Fe, NM
Format
Medium Format
Interesting thread. Having wept at the loss of Neopan 400, shooting Acros at 400 would help get me back into handholding 120 shots. Anyone tried with Pyrocat?
 

Aron

Member
Allowing Ads
Joined
Aug 27, 2009
Messages
256
Location
Hungary
Format
Multi Format
When posting examples I think it makes sense to describe the rest of the system, not just the film and developer.

Are these neg scans or scans from prints? It's incredible how much more shadow detail a scanner (and its software) can pick up, compared to (at least my style of) traditional printing.

I use HC-110 Dilution H for 18-20 minutes or so (or B at 7-10 minutes), 200 absolutely no problem, 400 not really a problem either (a bit higher contrast off course, noise in 120 is just about non-existent).
Attached a not very explainable example of Acros shot at EI 400. (click the thumbnail-film-strip picture a few times to get to the 3000*3000 pixel browser view)
 

Klainmeister

Member
Allowing Ads
Joined
Jun 2, 2010
Messages
1,504
Location
Santa Fe, NM
Format
Medium Format
That's kinda funny, I find the opposite true wherein my scanner pics up barely anything that a print can reveal.
 

Helinophoto

Member
Joined
Aug 19, 2011
Messages
1,091
Location
Norway
Format
Multi Format
When posting examples I think it makes sense to describe the rest of the system, not just the film and developer.

Are these neg scans or scans from prints? It's incredible how much more shadow detail a scanner (and its software) can pick up, compared to (at least my style of) traditional printing.

True.

And indeed this are neg scans. The black point is placed as close as possible to where I normally have them on a proof-sheet print from the darkroom. (where you start seeing a hint of the clear film base). I could easily pick out more shadow detail from the scans, but I let the base-fog decide, to get a more realistic view of the whole proof-sheet.

It's always hard to judge scans, I know (that's why I mentioned that this was not a very explainable example, but an example none the less).

The negs are quite dense after HC-110 H for 20 minutes, so I'll probably go for around 17-18 minutes instead if I decide to push again.
 
Last edited by a moderator:

Christiaan Phleger

Member
Allowing Ads
Joined
Feb 22, 2006
Messages
1,219
Location
Hawaii
Format
35mm RF
Acros in UFG 1:0 goes to 400 easy. Nice look too, as close as I've ever found to Neopan 1600, but with finer grain.
 

Poisson Du Jour

Member
Allowing Ads
Joined
Jul 1, 2008
Messages
5,462
Location
.
Format
Digital
ACROS will not show much of a change at EI400 with no change to processing. It is very stable with a big latitude; more change noticeable at EI800.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom