First, he cites a DR of 1.4 as ideal for Pt and 1.65 for Pd and defines the DR of negatives as the density difference between zones VIII and III. His negative density values appear to be uncorrected for FBF where he refers to 0.30 as the "useful shadow density" (pg. 19) or ~ 0.20 above FBF, i.e., a net density of ~ 0.10. On the previous page, he states the "threshold for shadow density" is usually 0.15 to 0.25 as a result of base & fog & lens flare. So I'm thinking he is talking uncorrected gross density values (and his graphs seem to support that interpretation).
>> Arentz is a extremely disciplined user of the densitometer (testeing, testing, testing..) but when printing he doesn't care what B+F is...the only thing important to Dick is that he is 0.3 above B+F. He just doesn't measure B+F on the negatives, just III and VIII. His methodology includes an aid (not in the book) to tell you exactly what the exposure is (Nuarc units or time) based upon your measured DR plus what the mixture you are using (NA2, although it shoudl also work for A+B+C). Take one of his courses to get this nifty tool....its a clear slider overlaid on a nomagraph. It works very well for all normally developed negatives but pyro negatives give different results because neither a blue-channel nor UV-specific densitometers give correct readings, as found out by those of us that brought Pyrocat HD negatives to his Masters Workshop. Dick is currently figuring out whether he wants to write a fourth edition...the tool would be in that book.
"Second, he measures the exposure scale of the paper/emulsion combo based on a "90% black" value and a "discernible white" step value. It appears 90% black is two steps lighter than maximum or "Total Black" as he calls it. " Discernible White" appears to be the threshold light gray just slightly darker than paper or maximum white. Is that correct?"
>> Yes this is correct. Dick's stated method is that he uses black up to only 90% black with in-camera negatives. However he uses the full tonal range with the digital negative methods he has been using (only!) within the last 2-3 years. Independent tests at the recent (Aug 2007) Photographer's Formulary Dick Arentz Masters Workshop showed an astute observer could tell, by looking at the blacks, whether a fine platinum print was created using in-camera or digital negative. This worked on Dick's prints as well as several workshop participants prints.
"He also states that in order to find 90% black you need at least two shadow steps that have merged. But, once the ES is determined wouldn't you adjust the exposure so that max density was produced at step 1 in the minimum time?"
>> Yes, that's in the book.
"And finally, the ES of the paper/emulsion will be the number of inclusive steps from 90% black to discernible white multiplied by 0.15. Is this how most Pt/Pd printers measure the ES?"
>> Works for most of us. Depends upon whether you have a 21 step or 31 step tablet (0.15 or 0.1 per step). YMMV
"Joe