But on whose side are they?
They reassure photographers, saying that the sole purpose of the clause is to allow musea to use the many 'orphaned' works they have in their collections.
But since when were musea part of (or taking part in) a "digital economy"?
So lets not forget the name of the Bill, which wasn't chosen at random, and worry!
I don't really understand how the UK can permit the use of 'orphan works' without becoming a pariah on the international stage.
Regarding the public shooting side to this post, if all photographers had to get consent of everyone in an image before it could be published, would this include moving images too or just photos? even if it is just photographs, there would have been NO press, web or magazine coverage of the winter olympics, sports events would of course be affected.
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