I was given a camera that had some old Kodacolor II, 126 film loaded in it. It was about half exposed. I shot the remainder of the film and would like to process. I've looked around, and there's mixed opinions on how to process this film; everyone's circumstances are a little bit different. In my case, there's nothing critical on this particular film. Should I just proceed with regular C-41 development? (This film specifies C-41, not C-22.) Or are there other precautions I should take?
Thanks.
Presumably you have experience doing this. How old was your film, and what developer did you use? Did you use final rinse or stabilizer? How badly fogged were your images?Yea just process normally, scan it as B&W if the color is too bizarre (blacks may go green etc) but if it looks good, keep it, if its funky, scan as B&W.
Yes, hurry up and develop it already!Four years later (?!) and I'm still sitting on this film. Any last minute wisdom?
Good response.Yes, hurry up and develop it already!
Yes, hurry up and develop it already!
If you find anything good please share. I always enjoy finding film in cameras just too see if there is anything good on it. I have found some interesting stuff on occasion.Good response.
Definitely! I've found some gems on found film...If you find anything good please share.
I'm not holding out much hope. though I will be developing in C-41, maybe with an added push.I've just run some old Kodacolor through a couple of 127 cameras and one through a 120 TLR. The 120 was 400 speed, so not exactly what you asked about, but that was the only roll of the bunch that had any visible image through the massive fog. The other two were effectively blank and completely fogged.
I used HC110 1:100.
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