Right - but you may find that your choices evolve over time. As an example, since I started putting more of my photographs on display, I decided to both print larger and equip myself to cut my own mats.So it's more a matter of personal standard. The same as with film and development practice you choose your way to do it and keep consistent. Right?
Welcome to Photrio (formerly APUG).
To a certain extent, paper size standards vary with geographic location, and reflect historical factors.
As an example, 30 cm x 37.5 cm (12" x 16") paper is much more common in the UK than it is in North America.
Historically, 5" x 7", 8" x 10" and 11" x 14" were common sizes in the US. Quarter plate, half plate and full plate (8.5" x 6.5") were more common in Europe. There apparently were different common standards in Japan.
As for the size of borders and whether you are permitted to crop, the decision is entirely up to what you prefer.
One thing you may want to consider though is what you want to do with your prints. If you plan to put them in albums or frame them and put them on the wall, it really helps to know what size prints fit easily in the "off-the-shelf" albums or frames/mats that are available to you. Otherwise you can find yourself needing custom materials, which are both harder to access and more expensive, or alternatively getting into cutting your own mats and/or making your own frames and albums.
When you are considering the size of borders, remember that the border areas provide you with an area for handling the prints.
As I cut my own mats, I tend toward at least 1/2 inch borders.
Hope this helps and that you have lots of fun printing!
There are no rules, of course, but only what works for you.
For me, when I make RC proof prints I normally use a speed easel and print to the paper size. For my final prints I print to the original film aspect ratio. I have found that when doing fiber prints for matting and framing a generous paper border really helps so I always print on larger size paper, for example I print a 12x15 or 12x16 image on 16x20 paper.
If you start using different film formats such as 120 roll film you'll soon realise why the aspect ratios of paper can't match every format perfectly.
final print and framingsizes are left to artistic considerations; art and standards are arch enemies; the mounting and framing process, shown in'Way beyond Monochrome' is one way some galleries and art museums like to display photographic prints.Hello everyone,
I'm just started my first darkroom prints and want to do everything correct from the start. So a few questions:
* I'm using a 24x30 paper (actually my measurements show 24x30.5). What is this standard and where it came from? Why not A4? How does it correlate with film frame format? I would be greatful if you can point me to any ISO standards to clarify what I'm dealing with.
* I'm using a simple easel which allows me to make fixed offsets from the edge. Are there any recomendations for it's size? I'm not going throuh complicated process of preparing my prints to exibition (like described in Way Beyond Monochrome) but rather interested in best precticies from impression point of view. How should I calculate the size of the borders? Is it ok to crop 35mm frame to keep 1.25 ratio? (I like evenly filled paper) How do professionals do?
p.s. to moderators:
I'm new to the forum, so if you move the topic to a more suitable section please notify me somehow cause I don't want to miss the replies.
I print full frame without the emulsion edge showing in 35mm, 6x6 and 4x5. It is not an affection; it has nothing to do with disco dancing, and everything to do with in camera composition. Full frame printing has been with us since the beginning of photography with paper negatives and contact printing.fThe obsession with full=frame (often requiring black outline) is an affectation many bought into in the disco dancing era.
The paper aspect ratios can be a bit irritating if you shoot a particular format.
Damn it! Square is not peculiar! Square is the perfect format, just ask Hasselblad.
Welcome toAPUGPhotrio.
I print full frame without the emulsion edge showing in 35mm, 6x6 and 4x5. It is not an affection; it has nothing to do with disco dancing, and everything to do with in camera composition. Full frame printing has been with us since the beginning of photography with paper negatives and contact printing.
fwiw...... The obsession with full-frame (often requiring black outline) is an affectation many bought into in the disco dancing era.
Paper negatives and contact printing are examples of full frame printing that pre-date disco by 150 years. Unlike disco, full frame printing was not invented in the 1980s.Paper negs and contact printing are unrelated.
That's excellent, I didn't know it existed. I haven't tried MCC 110 myself but have heard nothing but good about it.There is nothing peculiar about printing a square negative onto square paper!
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I didn't take one of the box alone, but it is square. 30cm x 30cm.
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