I can do it. It can be useful once one learns. For example the choice of filter for bringing out the clouds. Should I use IR film instead? Would it be better in color. Just do not get over obsessive.
I started using my micro 4/3 digital camera set on BW to previsualize. It also has "filters" selection (red, orange, etc) to give you an idea of the effect. Another advantage is it allows me to select the right lens and the location to put the tripod before taking my film gear out of the car.
Aphantasia is rare, but I know two people with it. I have sort of the opposite. I imagine what’s going on in other people’s minds.
Or learn how to choose the filter and carry on less camera which only adds weight to haul around. It is not hard:
Ditch the 4/3 camera and replace it with a 3"x5" card with notes. How hard can that be?
- Yellow brings out clouds, slightly darkens sky
- Orange brings out clouds better, darkens sky
- Red brings out clouds and blackens sky
- Green lightens leaves and hides zits
- Skylight 1A cuts UV eliminating haze and slightly warms
- UV or Hazw cuts UV eliminating haze
- ND cuts the light and lengths the exposure
But, do you know where they ate their breakfast?
Previsualization is just a fancy term for thinking. Everybody should be thinking about their photographs before pressing the shutter release.
If you can't previsualize you use a digital mirrorless camera.
Not so. Minor White and Ansel Adams both used view camera then the previsualization is only visualizing the image upside down?I thought that is why people changed from rangefinder cameras to slrs.
Not so. Minor White and Ansel Adams both used view camera then the previsualization is only visualizing the image upside down?
Ok now I have to develop the film to get a negative to print to illustrate the concept of previsualization.
Yesterday I was chatting with a co-worker about backyard fire pits and remembered a photograph I’d seen of a campfire circle built in the desert setting of red rocks. I would like to build such a ring with places for everyone to sit in a circle with a rock wall protecting them from wind. Too bad the desert is so far away.
Then I realized that I could just go to where the creek behind my house meets the ocean, where locals had arranged river rocks into circles. There I could take as many pictures of inviting fire pits as I wanted.
Simple as that, I pre-visualized a print that I am going to make, maybe next week.
Now the ultimate mystique, will be when you tell me what the print I haven’t made yet reminds you of.
It was White who pre-visualised the photograph he wanted to make, and Adams visualised the photograph he wanted to make, essentially the same thing but I don't think in any of his Darkroom books Adams mentions 'pre-visualisation'. And there is a key word I used in that sentence that forms the backbone of pre-visualisation, and it is 'make'. This was back when landscape photography gained acceptance in the art world, and artists make things, it is an intellectual process to have a plan in your head of what the final photograph will look like and this to a great extent dictates technique, so equipment, exposure, development etc.
Of course White took pre-visualisation in the spiritual direction of finding inner meaning in what he saw, Adams was a technician and environmentalist who wanted to show the Sierras in their best light. Since then many people have jumped on one bandwagon or another, but it doesn't have to be limited to large format photography or to Zen, you could argue a wedding photographer pre-visualises his or her images because they know what they need in advance. Really it's a way to discipline yourself to find the photographs you want to make and not wander aimlessly like a cloud. So don't 'take', don't 'shoot', don't 'grab', but instead 'make' something you want to make and before long you have a style, which is of course where we started, when photography becomes art, but this time in the individual sense.
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