If I were you, I would use a stop bath (2% acetic acid) instead of plain water. I had yellowing issues with Oriental paper until I switched from water to stop bath.
This kind of amazes me, as I had never thought of that before. One wonders what the yellow is: somehow an alkaline that needed to be eradicated by an acid? Interesting. - David LygaIf I were you, I would use a stop bath (2% acetic acid) instead of plain water. I had yellowing issues with Oriental paper until I switched from water to stop bath.
This kind of amazes me, as I had never thought of that before. One wonders what the yellow is: somehow an alkaline that needed to be eradicated by an acid? Interesting. - David Lyga
Use a stop bath. TF4 can re-start development if your rinse is not sufficient or is seasoned with developer carryover. Either that or use running water for the rinse.
PE
Unfortunately I have no running water in my dark room, so I need to adapt to it. I usually just use a water tray in between development and fixing and change it every ten or so prints. It is certainly seasoned by the end. Perhaps I should implement a second one of those "clean rinse" trays, visited in sequence, to better approximate running water...If you remain under safelight conditions and use running water, you should be OK. Also, TF4 or TF5 are just fine. You don't need an acid fixer.
PE
I guess the oddity is that it has never happened before with this same (bad) process I have.Well, that is likely the source of some of that yellow stain.
PE
Ron,
I'm glad you're participating in this thread. Maybe you can give some insight to my observations as well.
Regarding the yellowing. I've experienced yellowing from quite pronounced to barely noticeable when using Liquidol with some papers (Adox MC-110 seemed particularly susceptible). The fresh developer worked well, but as the developer aged, it seemed to stain the paper. I'm not sure if it is some discoloration staying in the emulsion, or if one of the base layers is somehow affected. In any case, other papers were not affected (Fomabrom). I've seen this often enough that I no longer use Liquidol with the Adox MC-110. I originally thought it was fogged paper, but the same occurred with fresh paper. I seems directly related to the age/exhaustion of the developer somehow. Any thoughts on this would be appreciated.
Attached is a photo of the phenomenon. The two swatches on the top were fixed but not developed, the fan of swatches underneath were all developed in Liquidol (unexposed and processed in total darkness). The paper is Adox MC-110. Note that the yellowing of the paper does not occur in other developers. I used D-72 and Bromophen on the same paper with absolutely no yellowing whatsoever.
Best,
Doremus
Was it yellow when you turned the light on or did it yellow after you turned it on?
PE
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