POTA developer resulted in almost completely transparent negatives.

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tomtomgps

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Hi,

I tried POTA for the first time a few days back with Aviphot 80 (Rollei Retro 80s) exposed at iso 40. My negatives turned out almost transparent.
Has anyone encountered a similar issue ? I'm trying to understand what went wrong. I read that phenidone was prone to oxidation, if I accidentally
poured phenidone in the water before sodium sulfite could that be the reason ?

Any help would be appreciated
Thomas
 

lamerko

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It is true that Phenidone oxidizes relatively quickly, but not that much. In fact, the recommendation for some sulfite in the beginning is for metol/elon.
Remember that phenidone is usually used in combination with another developing agent. Despite the large amount, you lose about 1 stop of film speed with this developer.
What could go wrong:
- your phenidone has been oxidized as a powder (it turns dark);
- you failed to dissolve it completely - phenidone is difficult to dissolve in water. That's why it's good to "help" him with a solvent - alcohol, glycol...
- you have a problem with sulfite - oxidized to sulfate or confused with sulfate;
- pH too low - sometimes tap water can play bad pH tricks.
 

Romanko

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POTA must be used immediately after mixing, it loses its activity very quickly.
I had good results with Technical Pan developed in Barry Thornton's Two Bath developer. Technical Pan is also a high contrast film somewhat similar to Aviphot (but slower).
And yes, it has to be sulfite not sulfate. It works as accelerator and preservative.
 

Don_ih

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Also, it is very important to put the sulfite first. If you add phenidone to tap water, the water will immediately turn nearly brown as the oxygen dissolved in it ruins the phenidone.
 

Don_ih

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Throw away the sodium sulfate.

Also, why do you want to use POTA for Aviphot 80? Regular developers (like D76 or Rodinal) can get perfectly good results.
 
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