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Post your woodland scenes!

Wonderful - and it really highlights how nice and subtle the new Ektachrome can be.
 
MattKing said:
Wonderful - and it really highlights how nice and subtle the new Ektachrome can be.
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Thanks. Yes, I haven't shot much of it yet but so far I've been quite impressed. Has a similar contrast level and latitude to Provia 100F but generally a touch warmer rendition. The pair of them are good for those scenes where Velvia 50 is just a bit too much.
 
Stephen Benskin said:
Very nice. I really like this one. It reminds me of Elliott Porter.
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Thank you. A very flattering comparison. Of course one can't help but feel his influence for these kind of scenes. Burkett also, to some extent.
 
Disibodenberg Abby (Hildegard von Bingen stayed there), Rheinland-Pfalz, Germany.
The last one of this series.



Hasselblad SWC on Tri-X 400 ASA, processed in Pyrocat-HD and wet scanned on a Epson 750.
 
Silence of the trees.



Linhof Technorama 617 + Super-Angulon 90mm on AGFA APX 400 in Rodinal 1+50, wet scanned on an Epson 750.
 
Philippe-Georges

Silence of the trees : Gold star.
 
Fallen trees, Prov. de Luxembourg, Belgium



Linhof Technorama 617 + Super-Angulon 90mm on Tri-X @ 1000 ASA in Pyrocat-HD, wet scanned on an Epson 750.
 
The ruins of the Jumièges Abbey, France



Linhof Kardan GT 4"x5" + Schneider-Kreznach Super-Angulon 75mm + Yellow filter on TXP 320 processed in Pyrocat-HD and wet scanned on an EPSON 750.
 
I look at this thread every day. The whole thing is just outstanding.
 
Jug Bay Wetlands Sanctuary, along the Patuxent River, Maryland, USA

Kiev 60, Arsat 80/2.8, yellow #8, FP4+, Pyrocat HD semi-stand 3:2:500 45min

 
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