Every great jazz player needs a quirk...
when she really gets going the tongue is usually hanging out.
Thanks!Love the second one
Do you shoot color as often as b&w?
That's very interesting, I would have never guessed you'd prefer color. I love to see how people's styles are reflected differently in color and b&w.Thanks!
I’d say color is 20% of my shooting, but I much prefer color. I work in phases as well as per the subject.
Presently, in Miami Beach, I’d be crazy to shoot BW. Same when I was in Greece last summer.
NYC, say, is a mix of both. Paris is DEFINITELY not color. And so on.
Thanks!
I’d say color is 20% of my shooting, but I much prefer color. I work in phases as well as per the subject.
Presently, in Miami Beach, I’d be crazy to shoot BW. Same when I was in Greece last summer.
NYC, say, is a mix of both. Paris is DEFINITELY not color. And so on.
I carry multiple film backs and I switch back and forth between C41 color, black & white, film speeds and infrared films.
I don't know how you guys do it. I can barely stand taking one backpack with one camera, one lens and a couple of rollsI carry multiple film backs and I switch back and forth between C41 color, black & white, film speeds and infrared films.
Many here will no have the luxury of Hasselblad and many backs, that we enjoy, and looking at some of the larger competition 6x6cm on up, camera backs, may no want to carry such a load with their cameras.
That said, with many of us using expired films, in the long run, multiple backs or cameras may just be the only economical way to avoid wasting partially shot rolls of film.
I don't know how you guys do it. I can barely stand taking one backpack with one camera, one lens and a couple of rollsWhile part of the reason is simply avoiding extra weight (for tons of walking + public transportation), the other is that it challenges me to make the best with what I have. I have returned places with a different lens, for example, so I could get pictures I missed before...anyway, whatever makes us happy, works!
I don't know how you guys do it. I can barely stand taking one backpack with one camera, one lens and a couple of rollsWhile part of the reason is simply avoiding extra weight (for tons of walking + public transportation), the other is that it challenges me to make the best with what I have. I have returned places with a different lens, for example, so I could get pictures I missed before...anyway, whatever makes us happy, works!
Hasselblad is not the only medium format camera with film backs, Rollei, Bronica, Mamiya, to name a few. Buy used and have them gone over by a repair service.
Which I recognized in my earlier post about the size of those backs compared to Hasselblad kit.
Be very careful about repair shops CLAing any kit, as I've got an itemized recept for kit I was given, that shortly before, had been sent in for CLA and new seals etc. and it still makes me sick at the stomic seeing what that shop charged my friend for their basic services.
I can barely stand taking one backpack with one camera, one lens and a couple of rolls
Heh. I finally got a decent backpack, now I can haul my RB67, 50/90/180 lenses (or trade off a little on film backs and fit in the 250) plus 2x converter, three or four film backs, my entire set of filters, several rolls of film -- and it's still not too heavy to carry. Maybe Gitzo is worth the money after all...Next, I need to find a lighter tripod.
Heh. I finally got a decent backpack, now I can haul my RB67, 50/90/180 lenses (or trade off a little on film backs and fit in the 250) plus 2x converter, three or four film backs, my entire set of filters, several rolls of film -- and it's still not too heavy to carry. Maybe Gitzo is worth the money after all...Next, I need to find a lighter tripod.
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