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Post your landscape photos here

[QUOTE="scheimfluger_77, post: 2228585, member: 11400 ... Those first Ektar films were something weren’t they![/QUOTE]

Agreed!

--
There also was an Ektar 125 (5101) - this one is from June 1990 - Leica R4s with Summicron R 50mm.
Not a typicall landscape I guess but anyway - it has meadows, a little creek and some woods ...

 
Mountain scene near Bodie, CA.

Converted from color, emphasis on the red channel. Inspired by a thread on "another network" discussing another photo on this thread here.

 
Enjoy some new random ones from me
2004 expired portra 400 bw, Yashica Mat 124g

1980 expired Ektachrome 400, Zeiss Ikonta 520/16

Rollei CR 200, Mamiya C220

Rollei Crossbird 200, Mamiya C220

Fuji Pro 400h, Vivitar pn2011
 
How about another Texas scene? This is a BNSF (Burlington Northern Santa Fe) train in Kirkland, Texas, a town southeast of Amarillo along US-287. This is the Texas Panhandle, the land of big skies, big farms, mega- men and women, and enormous pickup trucks. This is a Tri-X 400 frame from a Hasselblad 501CM camera. Cheers!

 
Olympus OM2S, Zuiko 28mm f/2,8, Hoya R72
Rollei Retro 80S reversal processed, looks much better projected.

 
Some really nice ones on this page

One of mine from a recent (foggy) trip to Edale & Mam Tor. Hasselblad 501CM, 4/180 Sonnar CF, Acros 100, 510-Pyro:

 
GLS said:
Some really nice ones on this page

One of mine from a recent (foggy) trip to Edale & Mam Tor. Hasselblad 501CM, 4/180 Sonnar CF, Acros 100, 510-Pyro:

Click to expand...

I hope you had lunch or an evening meal in "The Cheshire Cheese" Great image, I love photographing in fog, the results a re better tahn you'd expect

Wonderful part of the world, while I've visited a lot I've never really done any cohesive project work there.

Ian
 
Ian Grant said:
I hope you had lunch or an evening meal in "The Cheshire Cheese"
Click to expand...

Sadly not. Just some quick food on the hoof from my backpack. When I got to the summit of Mam Tor the fog was so thick the visibility was less than 100 meters in all directions. You literally couldn't see anything in the valleys on either side. How's that for irony! Thankfully I stopped several times on the way up to get a few shots, the above being one.
 
Last time I was up Mam Tor was over 20 years ago with a girlfriend, her young son, and a bottle of white wine. As I opened the bottle two hang glider pilots comment about what a good idea as they hovered above

I spent 5 days in the Peak District on a workshop just over 30 years ago and had Fay Godwin driving me around as I knew the area. Her car was her camera bag so she wouldn't travel in someone else's car. It was interesting as I saw her shoot 2 0r 3 images that ended up in her books.

Ian
 
Another from the same roll as above, but shot with the 3.5/100 Planar CFi

 
Part of the Great Ridge between Mam Tor and Hollins Cross.

Hasselblad 501CM, 4/180 Sonnar CF, Velvia 50, Lee 0.6S GND.

 
Still getting used to editing and sharpening on a wide-gamut 4K monitor. The Velvia greens of this shot in particular look incredible in the full Adobe RGB colour space (sadly not visible here in the online sRGB version).

Hasselblad 501CM, 4/180 Sonnar CF, Velvia 50:

 
Desert Solitaire

Kodak 400UC film, Tamron SP 20-40 glass.
 
Last Ride Home

Velvia 50 film.
 
Desert Wisdom.

XP-2 film, filtered.
 
Another from my trip to Padley Gorge a few months ago.

Hasselblad 501CM, Distagon 4/50 CFi, Agfa Copex Rapid, SPUR Dokuspeed SL-N
 
Hasselblad 501CM, 4/50 Distagon CFi, Agfa Copex Rapid, SPUR Dokuspeed SL-N

 
African Shag. (Velvia 50 film)
 
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