Stephen Benskin
Allowing Ads
Washington Coast, Mamiya 7ii, 50mm, Acros 100View attachment 414302
That's a nice one Jim.
[August 1993] Welsh Beach House, Harlech Wales
View attachment 413634
Hasselblad 500 C/M, 80mm f/2.8 Planar, Agfapan APX 100 @ EI 50, HC-110B, scan of silver print
Taken in Iceland - was drawn to the layering of the landscape and foreground water. Interested in how others read the structure.
Great Sand Dunes National Park, Colorado. 2025
Shot on Velvia 50 with Shen Hao 4x5 and Rodenstock 150mm.
Developed using Adox E6 kit and scanned using DSLR
View attachment 415575
Top of a Knoll, Mamiya RZ67II, 110mm, Tmax 100, orange filter, Palouse regionView attachment 415751
Top of a Knoll, Mamiya RZ67II, 110mm, Tmax 100, orange filter, Palouse regionView attachment 415751
Great Sand Dunes National Park, Colorado. 2025
Shot on Velvia 50 with Shen Hao 4x5 and Rodenstock 150mm.
Developed using Adox E6 kit and scanned using DSLR
View attachment 415575
Bandon Silhouette, Oregon Coast, Mamiya 7ii, 80mm, Provia 100f converted to B&W, cropped.View attachment 416870
Spent the other weekend scanning in about 10 rolls over the past few years. I will be slowly posting here as I get to processing.
Canon 7ne, 24-105L, fuji c200, kodak pakon f135+ scan
And looking the other direction (to the right, located about 25' away).
Hi Stephen, thank you kindly! I remember getting into photography back in the early oughts when the canon 10d's and 20'ds were just coming out but I longed for the deep, rich color pallettes of film and Eliot Porter's images were recognizable and ones I wanted to emulate. I take this as a high compliment on the top image and it is a place I will be returning to in the future.Hey Jon. I really love the color, light, and balance of the top image. It reminds me of Elliot Porter.
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