really ?
i have never heard such rigid definitions of photography or photographic genres ...
its good to know ... thanks !
.....
So you are saying if an image is an image of something, it can't be an abstract, or if the photographer tells you what it is it loses its nature as an abstract. Sounds like photographers should just keep it's identity a secret. Also, can you expand on what you mean by "non-figurative".
So to remain abstract the photographer should simply not tell anyone it is a picture of a dog? That's enough?However, if you tell an observer that the abstract photo is actually a modified dog, then the observer suddenly doesn't perceive the image as abstract anymore. This effect is even worse when you give the abstract a title of an object in real life (for example "Lame dog"), because you are instantly sabotaging your own attempt to get something abstract. A dog is not abstract and an abstract object can't be a picture of a dog, they are mutually exclusive.
Your first question, see the explanation in my answer to jnanian.
Non-figurative - Look it up in a dictionary, for example:
https://www.thefreedictionary.com/nonfigurative
"(Art Terms) (of art) not representing actual or natural objects or realities; abstract"
So to remain abstract the photographer should simply not tell anyone it is a picture of a dog? That's enough?
However, if you tell an observer that the abstract photo is actually a modified dog, then the observer suddenly doesn't perceive the image as abstract anymore. This effect is even worse when you give the abstract a title of an object in real life (for example "Lame dog"), because you are instantly sabotaging your own attempt to get something abstract. A dog is not abstract and an abstract object can't be a picture of a dog, they are mutually exclusive.
Well that is the question, isn't it? On the one hand, you say they are mutually exclusive, on the other hand, you beg the question. I tend to be a little more flexible in my thinking, especially where art is concerned. Otherwise, your arguments tend to fall prey to the logical fallacy of false dilemma aka black and white or either/or thinking.Well, not telling an observer about your process or not choosing a title that references to the original only prevents that a perfectly abstract image isn't perceived as abstract anymore. If the image itself is indeed abstract is another question.
Is that supposed to be abstract by your definition? It clearly looks representational to me. Not sure of what, some textured surface (paper? linoleum? vinyl?), but I recognize it as a straightforward representation.
Lost In Translation
Thanks Billy. I like your pictures to, simple day to day subjects that have cohesion.That's nice Paul.
Your photo's on Flickr are even better, I like the surrealistic atmosphere.
These are photo's from abstract paintings ...Is that supposed to be abstract by your definition? It clearly looks representational to me. Not sure of what, some textured surface (paper? linoleum? vinyl?), but I recognize it as a straightforward representation.
Do you know the name of the artist and the titles of the paintings?These are photo's from abstract paintings ...
Actually this is probably more proper abstract.....or is it cubism? I know nothing of art.
Mood Indigo......great song any how.
Yes I am very strict
The 'abstract' originally is a genre in painting. The point is that there is a fundamental difference between an abstract painting and an abstract photo in the way you work.
Making an abstract painting is a straightforward process. Every stroke of the brush simply adds something to the canvas until it is ready.
Making an abstract photo is much more complicated because the camera registers an image that is inherently not abstract. So you need an extra process to convert the photo to abstract, which can be done by cropping, post-processing on the computer, walking over it while it is raining, or any other manipulation you can think of.
What I say in my post #23 is that any reference to this process, or to the source of the image, nullifies your attempt to get an abstract image.
For example you can start taking a picture from a dog, and then you modify a print from the photo using a special chemical process to make it abstract.
However, if you tell an observer that the abstract photo is actually a modified dog, then the observer suddenly doesn't perceive the image as abstract anymore. This effect is even worse when you give the abstract a title of an object in real life (for example "Lame dog"), because you are instantly sabotaging your own attempt to get something abstract. A dog is not abstract and an abstract object can't be a picture of a dog, they are mutually exclusive.
Sorry to say, but an 'abstract dune shot' is a contradictio in terminis, because abstract is non-figurative by definition. Even when the image appears abstract at first sight but the title says it's a dune, it's not abstract anymore.
-- There are no rules.
And old EW said, heavily paraphrased, that all abstracts are really grounded in nature, from where we get all the shapes, colors, and textures. So...an abstract from Pt. Lobos...From the Oxford dictionary:
ABSTRACT
Relating to or denoting art that does not attempt to represent external reality, but rather seeks to achieve its effect using shapes, colors, and textures.
I think there is room in the definition.
-- There are no rules.
And old EW said, heavily paraphrased, that all abstracts are really grounded in nature, from where we get all the shapes, colors, and textures. So...an abstract from Pt. Lobos...
You can't believe everything you read on the internet.uh oh ... you ( and EW ) said they are rocks ... so by Billy Axeman's this can't be an abstraction
From the Oxford dictionary:
ABSTRACT
Relating to or denoting art that does not attempt to represent external reality, but rather seeks to achieve its effect using shapes, colors, and textures.
I think there is room in the definition.
-- There are no rules.
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