I don't see the colors as similar. Not at all. I have no idea how to quantify the differences but for sure to me, 400H has far superior colors. I hate my results with Portra, but even with shots from others which look good, I don't see the colors as being equal between these two films.
That's a very good answer that I agree with entirely.They both have great skin tones and good exposure latitude, although Portra probably holds up a bit better to underexposure or pushing (I've pushed 400H with some success though). There are differences, but there's not really that much between them; after all, they're both portrait films. The photographer and the person scanning/printing the photograph have a much bigger impact on the look of the image than the differences between these two films will, I would say.
You wouldn't be alone in preferring 400H and there's no problem with that, but there's very little to hate about Portra and it's ridiculous to suggest that it's inferior to 400H in any capacity (what even is 'superior' colour anyway?).
In my experiences, poor results with particular films are typically the fault of the photographer/scanner/printer and very rarely, if ever, the films themselves.
+1They are both very fine portrait films I shoot both of them but you can't use other people's experience to choose films it's subjective. I suggest you buy some and shoot it yourself and form your own opinions, it's suck it and see.
In my experiences, poor results with particular films are typically the fault of the photographer/scanner/printer and very rarely, if ever, the films themselves.
They both have great skin tones and good exposure latitude, although Portra probably holds up a bit better to underexposure or pushing (I've pushed 400H with some success though). There are differences, but there's not really that much between them; after all, they're both portrait films. The photographer and the person scanning/printing the photograph have a much bigger impact on the look of the image than the differences between these two films will, I would say.
You wouldn't be alone in preferring 400H and there's no problem with that, but there's very little to hate about Portra and it's ridiculous to suggest that it's inferior to 400H in any capacity (what even is 'superior' colour anyway?).
In my experiences, poor results with particular films are typically the fault of the photographer/scanner/printer and very rarely, if ever, the films themselves.
Can we move on to how many angels are able to alight on a pin head?
pentaxuser
Bad form to post again but I previously was on a i-device that I can't post links on.
I wanted to post this link which is complimentary to the one posted earlier:
http://ukfilmlab.com/2014/04/24/film-stock-and-exposure-comparisons-kodak-portra-and-fuji/
Which in no way negates my advice to shoot the stuff yourself.
Best comparison ever. Thanks. I'm going to save this link so I can post it when people ask.
Thanks for the link. The similarities between all the films are remarkable. In my opinion this just about raps up the discussion.
Can we move on to how many angels are able to alight on a pin head?
pentaxuser
Bad form to post again but I previously was on a i-device that I can't post links on.
I wanted to post this link which is complimentary to the one posted earlier:
http://ukfilmlab.com/2014/04/24/film-stock-and-exposure-comparisons-kodak-portra-and-fuji/
Which in no way negates my advice to shoot the stuff yourself.
Hmmm. I've never had problems nailing exposure. I consider it a screw-up if I miss than more than +/- 1/3 stop, so I don't really care about missing by several stops.
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