would give You less grain.stand 1+100, 60 mins...
The flickr shot You are referring to, show high compression, thats one of the reasons it looks so gritty.
Rodinal 1+50 is optimal in my opinion. Contrary to what You wrote would give You less grain.
I have posted some recent Polypan F box speed shots here (there was a url link here which no longer exists) as You have probably seen them, developed in Rodinal 1+50 for 16 minutes @ 20°C, 30 sec initial agitation, then 3 slow inversions every 30 sec.
So, here goes again scanned on cheap Plustek film scanner:
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I always use a hood on the lens, I don't care what film I have in the camera.How do you prevent the hightlight glow/glare, in case if you experience them?
Rodinal 1+50 is optimal in my opinion. Contrary to what You wrote would give You less grain.
Not long time ago there was similar question here. I use semi stand Rodinal 1+100 with 30-60sec initial agitation, and agitation after 30min.
examples:
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regards,
That looks quite ok too, though tell me, the greenish tint/color, is that natural or something you've added in post?
No, I meant that developing using the "stand 60 minutes method", I assume will produce more grain.
So your advice is:
"1+50 for 16 minutes @ 20°C, 30 sec initial agitation, then 3 slow inversions every 30 sec."
Your shots looks pretty nice, still a bit grainy sky, isn't it?
georg16nik said:Rodinal is what keeps (roughly speaking) the actual film grain, everything beyond that is due to the cheapest scanner here, that is noisy enough to make even Adox CMS20 look grainy......
.......... When printed, Polypan F is very smooth, even if it was developed in Rodinal but then again I come from film and never left it, so if You come from digital, Your grain definition might vary, big time.Some of the grain You see is just the scanners own interpretation of the actual grain.
Only on APUG, You can read the very insightful article on shaping the tone curve of a rodinal negative by df cardwell - (there was a url link here which no longer exists)
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