Polymer photogravure plate service?

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MurrayMinchin

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Hi there,

Know anyone providing polymer photogravure plate services beside Cone Editions and Intaglio Editions in the US?

I'm about to start down that path, and would like to have one well made plate for reference purposes.

Bonus points if you know a place in Canada which provides this service!

Thanks.
 
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MurrayMinchin

MurrayMinchin

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Are you looking for halftone plates or "line cuts" there's a place here
https://pellaengraving.com/

These folks made a friend a zinc line cut a couple years ago. For a letterpress.
Thanks, but I'm pretty sure they don't do gravures.

This is a tad long, but much better at describing the process than my words ever would:

 

koraks

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I'm going to copy @Ken Wilkens; he registered earlier this year and might be able to help. Here's his introduction thread: https://www.photrio.com/forum/threads/photogravure-in-atlanta.199435
He hasn't logged on for a few months, but I'd suggest dropping him a pm.

I've dabbled in photopolymer for a while; it's a beautiful process. Have fun with it; it's a bit easier today with better availability of materials and in particular UV LED light sources. You need a collimated light source for this; forget about banks of UV tubes or LED strips! Try a single COB LED at a reasonable distance (a few feet or so) from the printing frame. For intaglio, you want fairly deep and sharply defined pits with precisely walls perpendicular to the plate plane. Only collimated light can provide this.
 
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MurrayMinchin

MurrayMinchin

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I'm going to copy @Ken Wilkens; he registered earlier this year and might be able to help. Here's his introduction thread: https://www.photrio.com/forum/threads/photogravure-in-atlanta.199435
He hasn't logged on for a few months, but I'd suggest dropping him a pm.

I've dabbled in photopolymer for a while; it's a beautiful process. Have fun with it; it's a bit easier today with better availability of materials and in particular UV LED light sources. You need a collimated light source for this; forget about banks of UV tubes or LED strips! Try a single COB LED at a reasonable distance (a few feet or so) from the printing frame. For intaglio, you want fairly deep and sharply defined pits with precisely walls perpendicular to the plate plane. Only collimated light can provide this.
Thanks, but it looks like he’s doing copper plate, while I’m interested in direct to plate polymer photogravure.
 
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MurrayMinchin

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Check out Mountain Intaglio, run by Lynn and Clay Harmon.


Clay (literally) wrote the book on photogravure work.
Thanks,

I’ve got the book already, but it looks like they are in the business of selling materials, not making plates for others.
 

Rolleiflexible

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Thanks,

I’ve got the book already, but it looks like they are in the business of selling materials, not making plates for others.

It’s worth asking Clay. He might be willing to offer that service. He just started selling papers and he is looking for ways to grow their business.
 
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MurrayMinchin

MurrayMinchin

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It’s worth asking Clay. He might be willing to offer that service. He just started selling papers and he is looking for ways to grow their business.
Good point, it's worth a try. Judging by the results I've seen his workshop students get, he really knows his stuff. I'd trust him to make a reference plate for sure.
 

Rolleiflexible

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Good point, it's worth a try. Judging by the results I've seen his workshop students get, he really knows his stuff. I'd trust him to make a reference plate for sure.

I took one of Clay's workshops -- best money I ever spent. Clay has a deep knowledge of this stuff, and his photogravures are exquisite.
 
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MurrayMinchin

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I took one of Clay's workshops -- best money I ever spent. Clay has a deep knowledge of this stuff, and his photogravures are exquisite.
Several decades ago, when I was first rummaging around that interwebby thing, I stumbled across his website and let him know how much I liked the quality of his prints, as seen on his website. Believe they were LF B&W images of wind drifted snow taken by street lights at night.

Lynn says he’s busy for the next week or so. Might be 10 days before I get an answer.

Doubt he’ll get into a full blown plate service business, but maybe, just maybe he’ll have time for one-off reference plates?
 

Rolleiflexible

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Several decades ago, when I was first rummaging around that interwebby thing, I stumbled across his website and let him know how much I liked the quality of his prints, as seen on his website. Believe they were LF B&W images of wind drifted snow taken by street lights at night.

Lynn says he’s busy for the next week or so. Might be 10 days before I get an answer.

Doubt he’ll get into a full blown plate service business, but maybe, just maybe he’ll have time for one-off reference plates?

I am lucky enough to live a short drive from Clay’s commercial space in Asheville. His gravures are just stunning on the wall. And Clay is a thoughtful and talented teacher. If you can work something out, it would be worth the wait.
 
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MurrayMinchin

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I am lucky enough to live a short drive from Clay’s commercial space in Asheville. His gravures are just stunning on the wall. And Clay is a thoughtful and talented teacher. If you can work something out, it would be worth the wait.
Lucky indeed. I'm a ways away from any galleries of note.

Yup, he'd me my first choice...thanks for the reminder and nudge his direction.

I've got a marina photograph from up here on BC's north coast which is perfect for testing purposes...threshold densities before pure white...darkest of dark greys lurking in pitch black shadows...lots of delicate water & sky mid tones...and a distant mountain ridge barely discernible through the rain which can be seen on hand coated (salt print) hot press papers, but disappears on cold press/toothy papers.

I'd love an 8x10 plate with about a 5x7 image and step tablet combination.
 
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MurrayMinchin

MurrayMinchin

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MurrayMinchin

MurrayMinchin

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They make UV LED COB 'cannons' for light shows...who knew!
 

koraks

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Yeah, those would be quite appropriate. The photopolymer stuff works just fine with the most common 400nm wavelength UV LEDs. No need for more expensive and less efficient shorter wavelengths.
 
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MurrayMinchin

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Clay got back to me...his assessment is that there are too many variables at play, so better off grinding my way up the learning curve all on my own.

Time to suck it up, Buttercup!
 

Rolleiflexible

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The photopolymer stuff works just fine with the most common 400nm wavelength UV LEDs.

Clay Harmon and Jon Cone disagree but I wonder if the divergence is due to different polymers -- they both use Jet plates that are designed for 350nm exposure. Clay says my 390-400nm lights that I use for kallitypes will not work with Jet plates. For now, I want to stick with Clay's process because I have seen his work in person and know that it is what I hope to achieve with photogravures.

Re single-point light sources: Clay and Jon both use 365nm light strips in exposure boxes. I chatted briefly with Clay about this. Clay agrees that a collimated source is best. But he observes that UV LEDs are fairly directional in their output, and he says that they work well enough for the application.

I am hunting for a solution that uses off-the-rack 365nm components. I see a 6x12-inch 365nm light on AliExpress that appears suitable for ganging up to cover a 12x18-inch print area. Any thoughts? Link below:


If others have come up with a suitable UV LED array, post here.
 

koraks

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I see a 6x12-inch 365nm light on AliExpress

It doesn't open for me (not available in my location), but if this is one of those floodlights consisting of an array of small LEDs: yes, it'll work.

I'm very skeptical about the 400nm not working. If they say so, I guess. Have they actually tested it? What problems did they note?

In your place, I'd try the film with the light source you have now. Buy another one if it turns out not to work. It's easy enough to test.
 

KYsailor

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Clay Harmon and Jon Cone disagree but I wonder if the divergence is due to different polymers -- they both use Jet plates that are designed for 350nm exposure. Clay says my 390-400nm lights that I use for kallitypes will not work with Jet plates. For now, I want to stick with Clay's process because I have seen his work in person and know that it is what I hope to achieve with photogravures.

Re single-point light sources: Clay and Jon both use 365nm light strips in exposure boxes. I chatted briefly with Clay about this. Clay agrees that a collimated source is best. But he observes that UV LEDs are fairly directional in their output, and he says that they work well enough for the application.

I am hunting for a solution that uses off-the-rack 365nm components. I see a 6x12-inch 365nm light on AliExpress that appears suitable for ganging up to cover a 12x18-inch print area. Any thoughts? Link below:


If others have come up with a suitable UV LED array, post here.

Sanders,

just noticed this thread - thought I would add a bit of what I have learned regarding burning photopolymer plates. When we were at Clay's workshop we used his custom "box". From what I remember about 400W of the cone 365 led strips. Clearly a custom set up, it worked very well with short exposures - 3min 30 sec was the standard time we used.

When I returned home I wanted to burn plates ( 43sm jet plates) locally. The studio I joined has an old black light tube assembly with 6 tubes ( ~4" spacing) about 6" from the glass cover plate. The studio used the unit for burning silk screens. I ran some small test strips using a 21 step Stouffer wedge. I was unsure how to interpret the results, so I asked Clay to run a Stouffer wedge on his unit for the "standard" 3:30 exposure. He very graciously agreed to run the test. He sent me the attached image of the result. As it shows - the highest clear step is 20 or 21 ( depending on your definition of clear)

Using his results as a bench mark I exposed plates at 15, 30 and 45 minutes on the UV tube unit and seem to get about a stop slower at 45 minutes. I made a 21 step wedges at 45 minutes using his color muse larger target and made a decent print, not quite linear but not too bad. Will use the results to adjust my quadtone rip profile. (I had used Clay's Epson 3880 QTR profile)

I wanted to see if I could get any kind of response with my Kallitype setup- which is almost identical to yours. I ran a few tests and the closest I could get was a "clear" 14-15 on the Stouffer wedge at 3 hours/45 minutes of exposure. For comparison my standard Kallitype exposure is 28 seconds. So the bottom line is the longer wavelength units will not work with the 43SM jet plates in any reasonable exposure time, based on my attempts.

The blacklight UV at my studio have a rather broad band of wavelengths with a peak near 365, but much less energy in the narrow 365 range, as indicated by my exposure of 45 minutes vs 3.5 minutes in Clay's unit. I will probably live with the studio unit once I get back to printing ( currently recovering from knee surgery). While the 45 minute is kind of long, it works since I can do other things (use the press) while waiting on the exposure.

I also did do a bit of searching for 365 LEDs to look at the most cost effective way to build a photogravure unit. Cone's strips are clearly the most efficient - actual 365 output vs wattage ( see test video on his page) however they are pretty pricy and require a custom box to implement. BTW Clay's box is extremely well designed and built ( as a retired engineer I was impressed with it). I did find these UV LEDs at 3 watts each, reasonably priced


however they would require soldering ( I am ok with that) and heat sink backing as well as a constant current power supply according to the comments... so it gets a bit complicated vs the simple 12 V strips for the cone strips or these - https://store.waveformlighting.com/products/real-uv-led-strip-lights?variant=12527605219430

The UV 365 LED assemblies you noted look very promising, however it seems like the pricing/availability of these 365 UV LED keeps dropping, so I will probably hold off building a "burner" since I already pay dues for my studio membership and their UV burner seems adequate. However if you decide to try these units please keep us informed.

Thanks

Dave



harmon_stouffer.jpeg
 

Rolleiflexible

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I wanted to see if I could get any kind of response with my Kallitype setup- which is almost identical to yours. I ran a few tests and the closest I could get was a "clear" 14-15 on the Stouffer wedge at 3 hours/45 minutes of exposure. For comparison my standard Kallitype exposure is 28 seconds. So the bottom line is the longer wavelength units will not work with the 43SM jet plates in any reasonable exposure time, based on my attempts.

Dave, I am immensely grateful for this -- thank you for removing my lingering doubts about the question. I will place an order for a set of 365nm lights and report back.
 

koraks

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I'm very surprised at how much exposure that material needs. Not just the wavelength, but also the sheer amount. It's many orders of magnitude slower than the film I used.
 

ole-squint

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Hi there,

Know anyone providing polymer photogravure plate services beside Cone Editions and Intaglio Editions in the US?

I'm about to start down that path, and would like to have one well made plate for reference purposes.

Bonus points if you know a place in Canada which provides this service!

Thanks.

There's a new studio in Vermont called Prints on Paper. I don't know if they still offer it, but I bought an exposed sample plate from them for their cost of the material. They also offer workshops. Maybe they'd make plates for you.
 
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