Super easy, two filters, both marked on their maximum polarizing setting at 12 o’clock. One on the camera and one in your pocket. You use the one in your pocket to analyze a scene and match the mark on the filter which is on the camera.@NB23 and how exactly are you going to do that on your Rolleiflexes and Leicas?
I have a couple of B30 polarizers I use on a Yashicamat 124G. Once they are mounted in sync with each other I can use the filter on the viewing lens to determine degree of polarization and then set filter on taking lens to the same position. Both filters have index marks to allow duplication of the angle of polarization. (Purchased from an APUG member several years ago.)
Polarizers if used to the most degree will strip off all reflections on leaves. This tends to make it look unreal. I've found backing off a little still saturates the greens without overdoing it. Here's a picture with the polarizer turned all the way up. If all your shots look like that, it gets "old" fast.
Pond 1 by Alan Klein, on Flickr
One in pocket, one on camera. All pola filters are the same. Just determine the index mark on both with nail polish.
You have to decide: to keep the reflection on the water or not.
Super easy, two filters, both marked on their maximum polarizing setting at 12 o’clock. One on the camera and one in your pocket. You use the one in your pocket to analyze a scene and match the mark on the filter which is on the camera.
This is very accurate.
By doing that, you quickly understand that you are usually almost always on the maximum setting with the filter set at 12 o’clock regardless if the scene, just like polarized sunglasses are always on their maximum effect because the lenses have been carefully set to the maximum effect at the 12 o’clock oosition, and so you lieave the filter at that position, and if shooting vertical, you realign the mark at the 12 o’clock position once the camera is vertical
A circular polarizing works on a 90 degree basis, not on a full 360 turn. It all pretty much becomes clear after a while.
Maximum filtering may be the strongest effect, but not the best choice. I always wondered how TLRs and RF used polarizers, so I stuck to SLRs of all formats.
That reflection in the water is with the polarizer on full. But note the lifeless greens in the foliage. Polarizers saturate the color of foliage by removing specular highlights and natural light reflections. But it kills the leaves making them look lifeless. So now, I back off from the full polarizer effect.
Yes, but maybe a turn of the polarizer would have canceled the reflection on the water while adding some back into the leaves. That’s how a circular polrizer works.
Move the polarizer around until it gets to the point you think reflects the best picture. And snap.
I explained how to use filters on those cameras: a pola filter in your pocket with the same index mark as the one on the camera.
So you decided to prefer keeping the reflection instead?
In the seventies I saw a rotating polariser set for TLRs.
It had two filters in one mount, one above the other with both filter holders connected to each other by small hidden gears.
As one holder was rotated the gears drove the other holder in the same direction. In that way what you saw through the viewing lens was the same as the the image passing through the taking lens.
I am afraid I cannot remember the make, but they were beyond my pocket at the time.
A circular polarizing works on a 90 degree basis, not on a full 360 turn. It all pretty much becomes clear after a while.
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