I have perused some of the prior PMK posts. I finally broke down and decided to try out staining developers. PMK was easier to obtain since B&H is willing to ship it but not willing to ship Pyrocat HD (I ordered the premixed liquid concentrate version). I realize that Photographer's Formulary will ship both but I was being impatient and was ordering other items from B&H anyway, moreover I do have Gordon Hutchings book which I felt might help. I intend to use TF4 as my fix. The film is mostly 4x5.
Any experience with PMK use with Acros, Tmax 100, and FP4+ is appreciated. I will likely develop film that I had already shot with the intention of developing with non-staining developers and therefore had exposed the Tmax and Acros at an EI of 80. I have usually exposed FP4+ at box speed (125) in the past since my testing it with my usual developers gives me a true speed of approx 160 to 200. I may therefore hold off on developing any of my old FP4+ film until I shoot more (probably at EI 64) and start with that. What about HP5+, which I occasionally use?
Am I wildly off as to the EI of Tmax and Acros? Any advice regarding developing? I intend to develop using an HP combitank daylight tank. I will likely skip the post fix soak. Printing will be by enlargement using mainly graded paper but I occasionally use VC paper. Unfortunately my main enlarger (older LPL 4500) does not allow me to take the filters out of the light path. I have historically used the 5 filter setting with the graded paper and non-stained negatives since my testing in the past showed that the 5 filter yielded significantly shorter times with graded paper. I do have a Durst 138 in the basement with both the condenser head and a cold light head but the rest of the setup there is far less convenient (no running water plus other inconveniences).
Thanks.
Sincerely,
Hany.