Henning Serger
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- Aug 31, 2006
- Messages
- 2,196
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- Multi Format
It will be interesting to find out how this new Plustek machine handles film flatness compared to the Nikon Coolscan 9000.
I'm glad it has focusing capability but why NOT AUTOFOCUS blahhhh???
Even though I really think camera scanning is the future .....
Presumably it has a version of ICE that works as well....one hopes.
Hello Mark,
Camera scanning has indeed made some significant progress recently. Especially for 35mm film. But not every film photographer has a high-megapixel digital camera. And for camera scanning of medium format film the current options are less convincing. I think that you can easily use this new scanner from 35mm up to 6x12cm rollfilm makes it quite attractive for multi-format shooters (like me). Of course only if now the design offers the quality we wish for.
A very good friend of mine is running a professional scan service: https://www.high-end-scans.de/ His customers are mostly professional photographers, archives, museums, art galleries. He uses an ICG drum scanner. He always wants the best quality possible. We have also done lots of tests together. For years he is also testing 100MP and 150MP medium format digital backs with special lenses for scanning. But so far the overall best quality he still gets with his drum scanner.
Probably the future of film scanning will not be "either - or" but "and": Scanners and camera scanning. For certain applications one solution, for other applications the other solution. Horses for courses.
Best regards,
Henning
Henning,
Slightly off topic, but have you seen anything about wet mounted scans with the Coolscan 9000 on the European market? I've only managed to find one USA based resource.
Tom
I've mentioned my workflow on some other forums ad nauseam but I use a Panasonic S1R in pixel shift to scan.....
I've found the ICE works on the Nikon scanner.
If it has the same ticket price as Plusteks other 120 scanners, they might as well not bother.
There is simply no competition to DSLR scanning if you are up in that range.
People willing to spend that much, will be willing to put in the effort to set up the camera scan and learn it.
I know, I have seen your postings. The S1R and pixel shift are certainly excellent options. But the camera body alone costs 3,700€ (here in Germany). Then you need an excellent lens and the other accessoires for camera scanning.
I've mentioned my workflow on some other forums ad nauseam but I use a Panasonic S1R in pixel shift to scan. I do this on formats from 35mm to 8x10 and the results are excellent. My target resolution for any of these formats is usually about 100mp so that allows me to do a downsample from the native scan capture. With stitching techniques I could push it much farther but I only have a 24" printer, and have yet to have a request for something larger.
What do you use for stitching? I am stuck between Hugin (tedious, with color shifts if stitching color) or Capture One Panoramas which applies unnecessary corrections, distorting the image. Is there something simpler, optimized for "linear" stitching?
Pixelshift is not as good as a real high resolution sensor, or cropping/stitching.Ah, that's right. You don't need to stitch with S1R because of insane resolution via pixel-shift. Nice.
If it has the same ticket price as Plusteks other 120 scanners, they might as well not bother.
There is simply no competition to DSLR scanning if you are up in that range.
People willing to spend that much, will be willing to put in the effort to set up the camera scan and learn it.
What's really annoying is that the technology is there to build amazing scanners - a monochrome sensor, RGB (and IR) LED's, a suitable lens, film carriers etc are all extant technology - it just needs someone to put it all together well. Basically I'd like to see Fuji produce a Frontier SP3000 sort of device that can handle up to 8x10 & gives me full control over the file & output. Ideally with USB compatibility. Not going to be cheap, but I suspect the market is there.
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