As a 1st generation AF, the flash features are all commanded from the flash unit.
That was a "trick" to make the F4/F801 have less buttons, but also to sell more SB-24 units.
The rear curtain sync is commanded from the SB-24/-25/-26.
That's why when someone asks for a recommended flash for the F4 I recommend these.
The F4 and the F801 also have flash exposure compensation, again in the top range flashes only.
Later, and starting with the F-601/F90 series, the flash features were moved to the body.
My first-ever plastic SLR:
I wonder how long the battery door, diaphragm lever and film rewind prongs will last, but it's too soon for me to really know. Maybe they'll cause me no problems at all? But it's got me thinking that I want to try one of the last-generation Japanese film SLRs too. That's a class that I totally missed the first time around because I was taking my fancy German cameras too seriously at the time.
... the first of the Japanese automated all plastic cameras:
Sometimes I also think about getting one for pure nostalgia value.
Like watching an episode of The Transformers: a true Autobot
I like the look of that Zenit, the construction is almost toy like but it'll probably go on for years with careful handling.My first-ever plastic SLR:
I wonder how long the battery door, diaphragm lever and film rewind prongs will last, but it's too soon for me to really know. Maybe they'll cause me no problems at all? But it's got me thinking that I want to try one of the last-generation Japanese film SLRs too. That's a class that I totally missed the first time around because I was taking my fancy German cameras too seriously at the time.
As you are already familiar with quirky designs I would recommend you the first of the Japanese automated all plastic cameras:
Sometimes I also think about getting one for pure nostalgia value.
I like the look of that Zenit, the construction is almost toy like but it'll probably go on for years with careful handling.
I like the flat angular look of that camera body. Dunno about those big lenses though! Was thinking more along the lines of a Canon Rebel or Pentax *Ist, want my camera bag to feel practically empty when I'm carrying it.
I must confess sometimes I toy with the idea of getting one and try to see what I can extract from such a rudimental machine, from some points of view it's ever more crude than a Zenit as it just has programs and you can't set up the camera manually.
Welcome to APUG.Just bought a Nikon N75 that was a leftover refurbished for $35 that was like brand new because I wanted to get back into film...I was a little worried as I really like all my dials outside the camera and no ISO setting....But figured the workaround that's actually very easy with the exposure compensation....But wow, I was so surprised the n75 worked so well.....The autofocus was accurate and quick with the 50mm f1.8..I felt really giddy getting back into film and when I got my results back I was so excited and couldn't believe how well the photos turned out....
The late models were very good, especially regarding autofocus. The useful features had trickled down from the pro models by the late 90s/early noughties and they were, in fact still are, vary useful cameras. No weather sealing or metal chassis, but good otherwise.The autofocus was accurate and quick with the 50mm f1.8..I felt really giddy getting back into film and when I got my results back I was so excited and couldn't believe how well the photos turned out....
Same hereAnd I finally found me one yesterday with one zoom lens. I'm gonna pick it up tomorrow. Maybe I'll get me the AC 50 mm lens later?
I was looking for a Canon T80 first of all just for the looks of it. That tank-like build lenses just look great. It was Canon's first autofocus camera in 35 mm format. A whole different aera that was!
BTW: I already have a T70 with 50 mm lens and it handles great. To top it off I'll keep an eye out for a cheap T90 too.
Welcome to APUG.
Have fun with your return to film.
Up until four years ago, I was an all-mechanical, all-manual, all pro-body photographer.
All of that changed four years ago when whimsy caused me to consider a Canon Rebel G (also known as EOS 500N outside the U.S.). Such a camera was the exact opposite of what I would normally use. In fact, I remember scorning Canon for producing this plastic entry level camera with a pretentious name.
Anyway, I found the camera fun to use and surprisingly capable.
Thanks for the suggestion, I just ordered one! ($16 shipped) Thinking that I shall pair it with the 40/2.8 EF pancake lens.
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