I believe post processing with Photoshop after films are processed and scanned is a common thing to do. It is common the initial scan of the film yields images requiring some editing, cropping, density and color adjustments. But there are people who insist in not photoshopping or only do it at a minimum degree. I personally usually only photoshop to adjust the overall density (like adjusting exposure), color balance. I almost never do sharpening nor color saturation boosting, etc.
However, I recently realized that the scanned images from films are already heavily tweaked by the scanner and you really don't know what were done by the scanner at all. If one want's to evaluate a film's color characteristics, or evaluate how the film process was done (to judge if a film is bad or the chemicals used in the process is bad for example) the best way to do it is to have the film (negatives) to print a RA-4 paper. This makes sense so this is not my question. My questions is if I scan my films should I phtoshop the images to yield reasonable image quality.
I often shot scenery with Kodak 160/400 NC films for the reason these films have a wide dynamic exposure range so that I could capture highlights and not losing shadows as well. The problem is these films tend to yield lower color saturation. I know they are designed that way. I found I could boost the color saturation by photoshop. The result usually is amazing. Even if I shot with 160/400 UC further boosting color saturation would yield magical results. But then here comes the question is it a good thing to do? I could shoot with my Canon 5D full frame and the images will come out with full blown colors. So if digital cameras do it why not I photoshop my films? Any comment is welcomed. Thank you.
you obviously have not read the photographic history books listed for you in the other thread
photographs just require light that's it, it honest or dishonest scissor and glue or photoshop have nothing to do with it
you are making up your own definition of photography? yours is not the generally accepted definition since 1826.
the thing is they also manipulate the hell out of their work in other ways but refuse to acknowledge what they do.
oh well. ..
OP
Use that photo editing software at your own risk. …but be advised your work and your reputation may suffer the slings and arrows of people who might be jealous of your imagery and call you a fraud or fake and make all sorts of comments and commentary about your motives and intent. They may suggest you are a con artist even if you just dust your scans and boost the contrast too. Sadly there are people who have extreme views on the subject and insult people for the slightest bit of creativity.
On second thought you might not want to even the most minute adjustments it might not be worth the Ill will / shade said orthodox photographers might throw your way …
Ymmv
This is really surprising. Do you really - truly - not get it? Or are you just trying to start a flame war? There are hundreds of reasons. Hundreds. Start with a little search on youtube to get you started.
Hardly jealous. How can one be jealous of someone who does not have the wherewithal to properly compose a photograph without cutting and pasting. Oh so lamebrained. Fakin' it, not makin' it ...
Do you like listening to Simon and Garfunkel when you are in the darkroom? I generally don't have music on until I start washing my prints.
And if they jumped off ten story building you would do it too?
That's what my father asked me when I told him I wanted to have long hair like the Beatles. I just sort of looked at him wondering if he had lost his mind. What does jumping off a ten story building have to do with wanting to wear your hair long, or in this case manipulating a image?
And now I was told via PM that there is some sort of moral equivalency between jumping off of a building (committing suicide), owning slaves and of course making creative photographs.thought you pretty much lost the moral high ground once you pressed the scan button.
You probably have one of those fancy print washers where you can just leave the water running for a couple of hours and go do something else. If you were shuffling your prints around and changing the water in the trays you would want to have some music on to relieve the tedium.No I have not bothered to play music in the darkroom.
You probably have one of those fancy print washers where you can just leave the water running for a couple of hours and go do something else. If you were shuffling your prints around and changing the water in the trays you would want to have some music on to relieve the tedium.
Maybe there are hundreds of reasons for shooting film and scanning it. I must have read all the wrong ones because they didn't seem all that compelling to me.
The point is just because someone else did something does not mean that you should blindly do the same.
Good. Then why not just move on? You're in a hybrid section and you don't care about scanned film and those who like doing it - yet, you seem to be interested enough to comment multiple times.
Enjoy your fine art prints.
As a background, in order to present the New Deal Roosevelt, he commissioned Roy Stryker to hire renowned photographers to produce a documentary record of the America deep. There are works of this commission that cast doubt on the reality of the events, since in some cases, actors were hired, as in the case of the photograph "The mother" by Dorothea Lange. What is reality?
Certainly not unsubstantiated claims in forums.This is the first I've heard that the woman in Dorothea Lange's Migrant Mother was a hired actress. I thought her name was Florence Owens Thompson and she was a migrant worker. There is a write up about her in Wikipedia.
https://en.wikipedia.org/wiki/Florence_Owens_Thompson
I guess you can't believe everything you read on the internet.
hi faberryman
removal of dust and boosting contrast saturation seems to be OK ..
but anything more than that is fake art.
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