- Joined
- Jun 21, 2003
- Messages
- 29,832
- Format
- Hybrid
I don't have a lot of faith in digital storage and knowing that there is a solar blast coming eventually that will erase a lot of the things we take for granted ...It's a fair point. It's nice to have an asset (the negative) that doesn't rely on external technology to be archival and allows further refinement when scanning/digitizing improves, if you like that sort of flexibility.
It strikes me as extremely irrational, irresponsible and unethical to want reasonable image quality. Take ownership and be proud of whatever you have without resorting to heretical means like manipulating in any manner.My questions is if I scan my films should I phtoshop the images to yield reasonable image quality.
Fortunately, I am not in the business of archiving or documenting anything for anyone. I print the images I like in editions of 5 and that's all there is. Posterity be damned.I don't have a lot of faith in digital storage and knowing that there is a solar blast coming eventually that will erase a lot of the things we take for granted ...
having done work that required I give a client a CD with images burned on it ( and I saved copies of each CD for my own files ). ... the files were eventually contaminated with digital rot and could not be opened, even on "high grade DVD/CD Media". .. that said some of my clients no longer want 4x5 or 35mm negatives but TIFF files ( and yes I cringe ) I've been in a habit of doing archival work for decades and I'd rather know the work that I produce isn't vanished ( not that my work is any good but for the sake of a visual record that records a sense of place ). no, im not vain just know its easy to forget what the corner gas station and pizza shop sort of looked like before they were torn down sort of thing ... at least with film someone might see the negative and say "it might have looked sort of like this". besides I like seeing what things look like on film ( and paper and .. ) ...
yea. I don't think the library of congress, state archives or public libraries I work for would be too keen on everything vanishing ...Fortunately, I am not in the business of archiving or documenting anything for anyone. I print the images I like in editions of 5 and that's all there is. Posterity be damned.
It strikes me as extremely irrational, irresponsible and unethical to want reasonable image quality. Take ownership and be proud of whatever you have without resorting to heretical means like manipulating in any manner.
It's nice to use a fountain pen even if word processors exist.
True. But ctrl-x and ctrl-v are significantly easier to use than actual cut and paste when you decide your argument would be stronger if you switched the order of two paragraphs.
I hand wrote a 20’page thesis pencil/pen/ink on paper and used scissors and tape and cut and pasted edits before committing it to a digital file…. It’s the best when you can’t read your own handwriting and edit what you wrote because you had to translate a foreign language…True. But ctrl-x and ctrl-v are significantly easier to use than actual cut and paste when you decide your argument would be stronger if you switched the order of two paragraphs.
Fortunately, I am not in the business of archiving or documenting anything for anyone. I print the images I like in editions of 5 and that's all there is. Posterity be damned.
The prints are not made from files. But the negatives are filed. Just for laughs, I might destroy them before I die, like Brett Weston. Not that I am in any way in his class.Do you delete all your files after you make the five prints?
Most of my colour prints nowadays are actually done by labs from digital files exposed on to RA-4 photographic paper. I prefer that to almost all colour inkjet prints I am seeing.I suspect those insist in wet printing being superior really know how good Epson pigment based printer really are.
I really don't get why someone would shoot film and then scan it and manipulate it in photoshop or other program.
Digital shooters can set strict limit in how much photoshopping they should do. Isn't it nice after all sorts of algorithms and manipulations are done for you by the hardware/firmware of the camera to redraw and repaint the signal captured by the CCD then deliver so called RAW files to you? In Fact film shooters are pretty much in a very similar boat. Film scanners really will do similar tricks except there are really much more treasure in that magic for film shooters to explore and take advantage of. Digital sensor is only one film but film shooters have dozens to work on. So don't be surprised film shooters use photoshop.It strikes me as extremely irrational, irresponsible and unethical to want reasonable image quality. Take ownership and be proud of whatever you have without resorting to heretical means like manipulating in any manner.
My only complaint with post-processing the results of scans is when people do so, and then turn around and use the result as basis to make judgments about the characteristics of the originating film.
I usually shoot film or paper in the first place because I like having an artifact of my endeavors that is tangible
I never hesitate to photoshop the heck out of it; use the tool to its fullest capabilities as I use any other tool. reality is not the goal;artistic interpretation is!I believe post processing with Photoshop after films are processed and scanned is a common thing to do. It is common the initial scan of the film yields images requiring some editing, cropping, density and color adjustments. But there are people who insist in not photoshopping or only do it at a minimum degree. I personally usually only photoshop to adjust the overall density (like adjusting exposure), color balance. I almost never do sharpening nor color saturation boosting, etc.
However, I recently realized that the scanned images from films are already heavily tweaked by the scanner and you really don't know what were done by the scanner at all. If one want's to evaluate a film's color characteristics, or evaluate how the film process was done (to judge if a film is bad or the chemicals used in the process is bad for example) the best way to do it is to have the film (negatives) to print a RA-4 paper. This makes sense so this is not my question. My questions is if I scan my films should I phtoshop the images to yield reasonable image quality.
I often shot scenery with Kodak 160/400 NC films for the reason these films have a wide dynamic exposure range so that I could capture highlights and not losing shadows as well. The problem is these films tend to yield lower color saturation. I know they are designed that way. I found I could boost the color saturation by photoshop. The result usually is amazing. Even if I shot with 160/400 UC further boosting color saturation would yield magical results. But then here comes the question is it a good thing to do? I could shoot with my Canon 5D full frame and the images will come out with full blown colors. So if digital cameras do it why not I photoshop my films? Any comment is welcomed. Thank you.
This is perfectly legitimate, though I begin to get uncomfortable once one gets to the point of adding or removing elements from the scene. This was always possible before Photoshop, by bleaching or painting negatives with a brush, but it takes the work away from the realm of photography pure and simple and into the realm of illustration. Once you know (or suspect) that the images have been manipulated in that manner, they lose a lot of their impact.I never hesitate to photoshop the heck out of it; use the tool to its fullest capabilities as I use any other tool. reality is not the goal;artistic interpretation is!
Ok gotcha. I thought you were shooting digital.The prints are not made from files. But the negatives are filed. Just for laughs, I might destroy them before I die, like Brett Weston. Not that I am in any way in his class.
Matt, When I moved to NY from NYC with my projector and slide trays, I found that the projector broke. By that time I had been scanning film. So I decided to scan all my old slides that I wanted to keep and found that displaying them on a TV is just great. Now I have a 75" UHD 4K TV and the images are superb. I can't compare against a slide projector because I don't have it any longer. But I can tell you that the TV being back lit just makes the photos pop. Take a look yourself and let me know what you think. Here's my Yotube page. You'll have to be able to use a smart TV to connect to YouTube. The Scuba slide show are photo's from 35mm film scanned. The Scuba photos are not my best because they were the first ones I scanned. But you'll get the idea. The other "Shows" are from digital cameras.The three main reasons to to work in film first are:
1) some of us have lots of the film experience, knowledge and stuff already, and very little or no digital experience, knowledge and stuff already;
2) there is nothing in the digital world that equals a projected transparency - particularly medium format transparencies; and
3) if you want the flexibility after "capture" to work either way, the legacy hardware that converts still digital images into a film negative aren't great, and hard to find.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?