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Even if I shot with 160/400 UC further boosting color saturation would yield magical results. But then here comes the question is it a good thing to do? I could shoot with my Canon 5D full frame and the images will come out with full blown colors. So if digital cameras do it why not I photoshop my films? Any comment is welcomed. Thank you.
I agree.IMHO, this thread should have been posted in a hybrid workflow forum. That is where the question is best asked and answered.
There's a few around. In any case, nice to meet youI have never met people who shoot CN film to exclusively wet print on RA4 paper. Not in person, not online.
And a very fine RA4 printer at that.There's a few around. In any case, nice to meet you
Thats very charitable of you.LOL!
I'm making fun of it a bit, but in a way, @Old Gregg is right of course. Only very few people shoot CN exclusively for wet printing. Most scan to get the end result. IMO there's nothing wrong with that, and neither is there anything wrong with extensive digital post processing to get the desired result. They're all just tools to get where you want to be, and hopefully enjoy the process. And that, for me, is the main reason I virtually don't scan - I just don't get as much fun from it as from wet printing.
I disagree. Color negative film is meant to be scanned in 2021. I have never met people who shoot CN film to exclusively wet print on RA4 paper. Not in person, not online. I estimate that only two people on earth do that and both of them haven't discovered photrio yet. The hybrid/analog/digital switch is adorable though. It's like having separate bathrooms for men, women, aliens and toasters.
Here is one. It was shot on a 400VC film. This was long time ago. I don't remember how well the film was processed nor how it was scanned. I think this is a typical scan that I got from VC or NC films. It was scanned when I had an older Win XP system with a tube monitor that was never calibrated. The PC and the monitor have long gone. With some photoshopping this pic can turn around to be plenty saturated. My question is really if it is a right thing to do because it is absolutely not a film known to be too saturated despite it is a Kodak VC film.. Maybe it is a dumb idea to shoot scenery with portrait films. I intended to take the advantage of their wider dynamics but then the colors seem compromised.View attachment 277579Where can we see samples of your scans of Portra?
My only complaint with post-processing the results of scans is when people do so, and then turn around and use the result as basis to make judgments about the characteristics of the originating film.
Digital tools are what one uses to deal with digital files.
Just as darkroom tools are what one uses to deal with negatives or, with some materials, transparencies.
However, I recently realized that the scanned images from films are already heavily tweaked by the scanner and you really don't know what were done by the scanner at all. If one want's to evaluate a film's color characteristics, or evaluate how the film process was done (to judge if a film is bad or the chemicals used in the process is bad for example) the best way to do it is to have the film (negatives) to print a RA-4 paper. This makes sense so this is not my question. My questions is if I scan my films should I phtoshop the images to yield reasonable image quality.
Scans have to be edited during the scan or afterwards or both. The scan process with all edits shut off provides a rather flat image in tones and colors. I use a combination of both. Usually just setting the black and white points during the scan. And everything else afterwards in Lightroom.I believe post processing with Photoshop after films are processed and scanned is a common thing to do. It is common the initial scan of the film yields images requiring some editing, cropping, density and color adjustments. But there are people who insist in not photoshopping or only do it at a minimum degree. I personally usually only photoshop to adjust the overall density (like adjusting exposure), color balance. I almost never do sharpening nor color saturation boosting, etc.
However, I recently realized that the scanned images from films are already heavily tweaked by the scanner and you really don't know what were done by the scanner at all. If one want's to evaluate a film's color characteristics, or evaluate how the film process was done (to judge if a film is bad or the chemicals used in the process is bad for example) the best way to do it is to have the film (negatives) to print a RA-4 paper. This makes sense so this is not my question. My questions is if I scan my films should I phtoshop the images to yield reasonable image quality.
I often shot scenery with Kodak 160/400 NC films for the reason these films have a wide dynamic exposure range so that I could capture highlights and not losing shadows as well. The problem is these films tend to yield lower color saturation. I know they are designed that way. I found I could boost the color saturation by photoshop. The result usually is amazing. Even if I shot with 160/400 UC further boosting color saturation would yield magical results. But then here comes the question is it a good thing to do? I could shoot with my Canon 5D full frame and the images will come out with full blown colors. So if digital cameras do it why not I photoshop my films? Any comment is welcomed. Thank you.
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