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Photography during the dark seasons

jimj

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It takes away being able to as spontaneous. Requires more planning.
 

Saganich

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I get out earlier to shoot, like 11am, and wander along my stomping route until the pub opens at 2...hot toddy.
 

bluechromis

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I live in the Pacific Northwest USA. Winters here mean lots of rain and prolonged stretches of overcast skies. I like to do some street stuff that is both handheld and requires considerable DOF and shutter speed to freeze motion & avoid hand shake. This quickly starts to require high ISO/EI. I had been using Delta 3200 a lot for that, but now I am using 400 speed films like Tmax 400 for up to EI 1600 because of the finer grain. I have just started using Kodak P3200 and it looks interesting. I like to use an XTOL clone with the films for low-light conditions because of the fine grain and film speed. When shooting landscapes and cityscapes it is a challenge when the skies are completely overcast and the light dead flat. I try to do some things to increase contrast but I haven't totally solved the problem. Just wait till the sun comes out you say? Around here that could be weeks. I agree that when the sun does come out that the low slanting light is wonderful. I have to give some thought to protecting gear from the rain. When I go on photo walks with my camera club in rainy weather typically several people will bring submersible cameras. With my Mamiya C330 TLR the prism finder and the chimney finder cope with the rain better than the WLF. With the humidity so high you do run into issues with condensation on lenses when temp of lens is different than ambient. The battery in my Pentax 6 x 7 can't cope with cold at all and it has an electronic shutter so is dead in the water. I have gotten the external battery adapter for that, but haven't used it yet.
 

guangong

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It's the cold rather than the dark that inhibits me. Normally, winter means ratcheting up the ISO and shooting anyhow. Personally, I find it hard to be depressed with a camera in my hand.
Ditto!
All seasons offer opportunities for great photography. Live near NYC and also in hills and mountains near by. Love the changing seasons. NYC winters rather mild, but house in sticks usually 10 degrees F colder, with lots of snow. Daughter in Florida. I’ve found photography difficult. Pool table flat landscape, humid, step outside condensation immediately covers camera and lens. Offers a real challenge.
 

Andrew O'Neill

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I was photographing in the hills around Kamloops a couple of weekends ago. Of course it decided to become unseasonably cold when I'm there... -7C but felt like -15 with the wind chill factor. I still managed to knock off a couple of large format images through frozen fingers and chattering teeth!
 

Alan Edward Klein

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Check out Clyde Butcher who shoots Florida landscape in BW. He uses the clouds as mountains.
 

Prest_400

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I live at 59 degrees north in latitude and share the struggle. More than anything it is just plain dark when I am not working and only have the weekends free. The last month was boring rainy.
Infact I shoot some colour before November as it gets hard on winter.

Last winter in Scandinavia was more of that drab gray.
I absolutely DETEST the summer light. It’s simply unexciting. That is why I’m very active during autumn and winter.

And there is TMZ, a wonderful film.
I agree that I stuggle with high summer light too. It gets nice in the mornings and afternoons however. "Portra perfect" light, heh.

With rampant corona and a forecast of isolation and dsrkness. I at least will focus on a lot more printing.

Time to test pushong HP5 in Medium format, and I hope for an order for some more chemistry.

Just visited my folks in Spain, prior lockdowns and all. And shot a few 35mm rolld quite quickly. That will take a while to select and print.
 

Luckless

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This reminds me, I should probably track down some of those reusable instant hot-pads to toss in the camera bag for this winter.

Usually don't get reminded of them till I'm out in the wind trying to warm my fingers up enough to adjust a dial.
 

Andrew O'Neill

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This reminds me, I should probably track down some of those reusable instant hot-pads to toss in the camera bag for this winter.

Usually don't get reminded of them till I'm out in the wind trying to warm my fingers up enough to adjust a dial.

Those are great! I used to use them all the time.
 

alter ego 6x9

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The light is not the problem to me, the cold is. I’d love to shoot more tungsten film - night city, all the lights, but I hate handling tripod in cold So yes, I end up shooting less.
 

Prest_400

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gråkallt!

I've always thought cause Sweden and Finland experience such horrid winters the culture is sort of set up for cosy indoor experiences.
I agree, a set up which may not hold sadly this year. Specially really nice indoor social activities which made me sort of ignore winter.

However, shot 3 rolls during this Mediterranean visit and I left enough darkroom backlog for a winter weekends. Then I have some academic stuff to finish -- but that and work is too similar on being in front of the computer so ends up being fatiguing.
I recall last year even feeling winter was short and I wanted more no regret darkroom time.

And might need a bit of that "bah, -10C out?" great for a dressed up walk!
 

Dr. no

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Living in the Southwest/Mountain West of the US, winter is just a season with better skies and earlier sunsets, and some days when you can't feel your fingers. A lot of the summer, until the rains come (and they didn't, this year), is just amazingly boring solid blue skies and intense sunlight. Nice for being outdoors but not for most landscapes, not something you'd always think of looking at the classical works!
But, having lived in many places, I understand. Now, winter in northern Europe is nice to visit because venues are not crowded (when they are open, anyway) and I like to shoot the street scenes when there are more locals than tourists; everything else is just damp, dark and limp, though. In Texas it's so friggin' hot that summer is the time to be in the nice cool darkroom.
 

Cloudy

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I hate the winter. Here it doesn't get too cold, it never snows, but it can rain for weeks (yep, Rome is really sunny during the summer and spring, but we do get lots of rain too).
This year I've decided to focus on developing old films that I always have lying about and experiment in my home studio with light painting.
 

moggi1964

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This is my first year shooting film in the winter since the early 80's (and most of that was in the Caribbean), so I've loaded up the 35mm with Kentmere 400 and the 6x6 with XP2 400 and we will see what we get. The XP2 especially should give me lots of latitude on exposure.

I have a little P&S Minolta with some APS Nexia 200 in it which I'll try and have some fun with. I think I've got four more rolls of that APS film. I'll certainly be using the digital - Olympus EM1 MkII.

I use my cycling gloves which give some warmth but enough feel to make any of my cameras usable. We're on lockdown here so I can't go far anyway.
 
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Alan Edward Klein

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Check out photographer gloves. There are different styles. One has the tips of your thumb and forefinger peel back so you can operate the controls.
https://www.bhphotovideo.com/c/buy/photo-gloves/ci/26450/N/3845464596
 

MattKing

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Sirius Glass

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Piazza Navona and the Pantheon with wet pavement reflecting the light would be great subjects day or night. Color or black & white. Via Apia on a rainy day without people would be a good subject.
 

Cloudy

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Piazza Navona and the Pantheon with wet pavement reflecting the light would be great subjects day or night. Color or black & white. Via Apia on a rainy day without people would be a good subject.

I don't know, I'm not much of a landascape photographer, I like to photograph people and, while beautiful, Piazza Navona and the Pantheon are proper clichè images, it's a moment and you're shooting a postcard
 

MattKing

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It has been more than 40 years since I was in Rome (in spring time), but back then the people and the surroundings were fascinating. I can't help but hope that hasn't changed.
An example of something that can be done with poor conditions, and weird light (although certainly not Rome):
 

Alan Edward Klein

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Storms moving in and clearing are the best times to get out there. Dramatic clouds and great light occur often then.
 

Prest_400

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I think variety is good and I am always a bit spoiled in that I complain about the weather not being in the opposite season. I live now in Scandinavia but moved from Mediterranean Spain, the latter sunny as California. The weather changes with dark winters and now frequent periods of cloud cover (1h of sun in 3 weeks las December) here make one appreciate diveristy in weather. A quasi permanent cloud cover is as boring as quasi permanent sunny day weather.

The sunlight hours are now increasing by day and I see myself thinking soon that it's too light out to be in the darkroom. The pandemic anyhow took a lot of fair weather activities so it is still better and safer to do printing inside.
The Mediterranean does have something interesting and for some reason I get quite inspired nowadays when I visit. Lovely portrait, slide film in open shade? I like the rendition in open shade and softer light
 

Cloudy

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Exactly! I have never even been inside the Colosseum because I've grown up here in Rome (not inside/near the Colosseum like some people think when you tell them that you're from Rome).
In general I don't really like touristic attractions at all, I've lived in London for a decade and I've never visited the Tower of London, and more specifically I don't think I am such a good photographer that I can take innovative pictures of places that have been photographed to death. I admire your attitude, but I could never take 100 photos of the Colosseum/Piazza Navona/Pantheon/insert Roman landmark as there are many.


Spring time is delightful in Rome, it's my favourite season and I can imagine why you were fascinated as Rome is indeed a very beautiful city. Personally I find most people here utterly boring compared to the diversity that I experienced in London with people from many different cultures and plenty of eccentric/artist types. Here people are very conformist. I remember going to see a drag race alumni performing in London and the people attending all made an effort and they were weird and beautiful, while at a similar show here in Rome people were wearing tshirts, jeans and sneakers.....BORIIIIING.
Lovely picture, I second the question: is it on slide film?