Looking at your sources, they're all really "western world" sources. Perhaps the bias lies with those reporters? Maybe if you were Chinese and living in China (or Japan, or Africa, or add country here) you would research using the tools you know, reading your findings in a language you speak and would draw a totally different conclusion skewed to the findings you were able to understand?I too thought about diversity in photographers. Even at several exhibitions of photos showing foreign countries and cultures, I've noted anecdotally most photographers are Western white males. Why is that?
https://mobile.nytimes.com/blogs/lens/2017/09/13/diversity-in-photojournalism-talk-is-cheap
https://hyperallergic.com/192376/ce...-and-the-collectives-that-have-nurtured-them/
https://www.pdnonline.com/features/industry-updates/need-photographers-photo-editors-color/
https://www.wired.com/2017/02/heres-female-photographers-matter-now-ever/
Discuss....
Regards, Art
Common, he was Ukrainian!Weegee was Jewish. Does that count?
Not sure, but I just finished Rita Leistner's show that opens at Stephen Bulger's new gallery Oct 21 and I feel its fantastic, Rita has worked in War Zones and areas of conflict but as well is know for touching portraits (the curtis project) and Middle East portraits people in front of their Bomb Shelters.
I think her body of work over the last 30 years matches anyones.
Common, he was Ukrainian!
Many of photographers I have books of are Jewish from the East Europe roots. Winogrand and George Zimbel. It is hard to find who isn't Jewish in the street photography (and whom I like).
Capa is East Europe Jewish too!
The OP message is kind of off the color, I think. How many Russian photographers does he know? Or photographers in India, China? I'm afraid photography OP knows about was from counties where white were predominant by numbers.
I'm bloody Russian. And one of the respected and known in Russia, war, conflict photographer was black. He passed away recently....
Did he identify as such? I'm from a whole kaleidoscope of backgrounds but identify as Jewish to the point I don't really feel comfortable checking 'white' on a questionnaire.
My grandmother is Russian and served as a nurse in the Red Army. Is she white? Well I know she's quite a few shades of skin darker than a white person. I really don't give a flying squirrel about your skin color. It's eyes and a brain that take the photo not the skin pigmentation. My main influence took photos pretending to be who he wasn't. Roman Vishniac was Jewish but passed as a gentile to give him access and keep from being arrested while his Jewish knowledge helped shape his view.
AMEN!Non of photographers I have mentioned and have deep respect I could recall to play race card. It is only and always comes from those who has nothing to do with photography. Or else. I'm in Canada. Working people of all races are getting alone. It is bureaucrats and socialists who benefits from race wars generated by them for own benefits.
Non of photographers I have mentioned and have deep respect I could recall to play race card. It is only and always comes from those who has nothing to do with photography. Or else. I'm in Canada. Working people of all races are getting alone. It is bureaucrats and socialists who benefits from race wars generated by them for own benefits.
I suspect it is because the Op is a white male. An art-lover in New Dehli will probably find most photographers are Hindi. Wander around a Nairobi gallery and I suspect white males will be well underrepresented.I too thought about diversity in photographers. Even at several exhibitions of photos showing foreign countries and cultures, I've noted anecdotally most photographers are Western white males. Why is that?
Discuss....
Regards, Art
You presume incorrectly. Art is an Indonesian who lives in Canada and the US. I've met him - nice guy. Definitely brown, not the paler side of beige. His camera is canary yellow. I will agree that the "white male" perspective on who is a photographer comes from being located in the US and Canada - that's who dominates the marketplace here, so that's whose names and images you're going to see. But photography is a universal pursuit. There are large photography cultures in China, Japan, India, Mexico, Peru, Argentina, Colombia, Turkey... just to name a few places. It is easy to lose perspective when what you have easiest access to is monocultural.I suspect it is because the Op is a white male. An art-lover in New Dehli will probably find most photographers are Hindi. Wander around a Nairobi gallery and I suspect white males will be well underrepresented.
As far as exhibitions showing foreign photographers are concerned, exhibitions in what countries, curated by citizens of which country? I suspect a white male curator is the significant element.
The fact that people of color face additional hurdles to simply be recognized for good work (no matter the variety) is still baffling to me. As is the ignorance of those who deny it's existence. What is considered progress is nothing more than window dressing.
The fact that people of color face additional hurdles to simply be recognized for good work (no matter the variety) is still baffling to me. As is the ignorance of those who deny it's existence. What is considered progress is nothing more than window dressing.
The fact that people of color face additional hurdles to simply be recognized for good work (no matter the variety) is still baffling to me. As is the ignorance of those who deny it's existence. What is considered progress is nothing more than window dressing.
Tball... discrimination doesn’t discriminate. Haters hate. Everyone is subject to being hated and discriminated. I’m not sure anymore who is the subject of discrimination today because there is so much hate for everyone who is perceived different. But it’s undeniable that historically “people of color” have been subjected to overt discrimination.
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