This week I’ve been shooting at several touristy/photographery places and my 35mm Minolta 370 and 570 have started several conversations. This was not the case even 2-3 years ago. It took the Mamiya tlr or super ikonta to do that. With 35mm, people thought I was a dumbass old guy who couldn’t figure out how to use a digital camera.
At least a couple times this week I have noticed a palpable ininternal shudder in people having to shift their world view as they saw and heard me working the advance lever and realized I was shooting film.
Last week at the jazz/blues club I keep talking about, someone approached me at the bar...older gentleman....and said "Surely that silver camera is digital? But it looks like you're winding film?"....So I explained yes, I was indeed shooting film. He asked where I get it, and a local sax player interjected "There's a great camera shop around the corner from this club".
When I started shooting film there a few years ago people really did think I was quite mad. Now there can be anything up to 4 people shooting film at that club at a time.
But also out and about, I see young folk shooting film. And it's almost always with cameras from the 70s that have manual wind.
The film advance lever is the worst way to advance the film -- except for all the other ways.
How many times have I framed the scene exactly the way I want it, carefully focused on my subject, slowly depressed the shutter button at the bottom of an exhale -- and nothing -- because I forgot to advance the film? So sure, I would love to have the film automatically advance after every shot to keep the camera in a state of perpetual rediness. Except I hate the noise, weight, and battery dependence that are necessary with motor drives. So I will keep on trying to remember to advance the film after every shot, in hopes that after another 40 or 50 years, I'll finally get the hang of it.
Most 3d Printing is produces parts with no where near the hardness of machined and heat treated metal parts.Manufacturing technology has moved on. Additive manufacturing (3D printing in popular parlance) and laser cutting are the relative new boys on the block.
How many times have I framed the scene exactly the way I want it, carefully focused on my subject, slowly depressed the shutter button at the bottom of an exhale -- and nothing -- because I forgot to advance the film?
And it's almost always with cameras from the 70s that have manual wind.
I think it is the Pentax SFX (SF-1 in US) that is the LOUDEST on motor whirl.I get it,
if you think about it the view through an SLR viewfinder and the motions to take a photo for the past 30+ years has been pretty much unchanged. People want a change.
A contemporary dslr viewfinder looks very similar to this 1988 Nikon
View attachment 338810
full press to shoot and instantly ready for the next shot sequence is also unchanged, just less motor whirr in the past decade or two.
I think it is the Pentax SFX (SF-1 in US) that is the LOUDEST on motor whirl.
My Nikon F4 is pretty loud, especially when empty. When loaded, the sound is somewhat dampened. The lesson is to always keep it loaded.
Wonder if there is a market for an a gadget that plugs into a digital camera and gives the authentic clap-chink-whirr sound of a film camera. Lets the young-uns be cool without the expense of film.
Wonder if there is a market for an a gadget that plugs into a digital camera and gives the authentic clap-chink-whirr sound of a film camera. Lets the young-uns be cool without the expense of film.
Last week at the jazz/blues club I keep talking about, someone approached me at the bar...older gentleman....and said "Surely that silver camera is digital? But it looks like you're winding film?"....So I explained yes, I was indeed shooting film. He asked where I get it, and a local sax player interjected "There's a great camera shop around the corner from this club".
When I started shooting film there a few years ago people really did think I was quite mad. Now there can be anything up to 4 people shooting film at that club at a time.
But also out and about, I see young folk shooting film. And it's almost always with cameras from the 70s that have manual wind.
I have no idea, but then the depths of my Ludism are deep indeed. The only app I have on my phone is an hp 48g emulator.How many phones, by default at least, have a sampled click and whirr when you press the screen to take a shot?
I think Pentax know what they're doing. My main hope is that they get their product out in time to catch their intended market.
Wonder if there is a market for an a gadget that plugs into a digital camera and gives the authentic clap-chink-whirr sound of a film camera. Lets the young-uns be cool without the expense of film.
I have no idea, but then the depths of my Ludism are deep indeed. The only app I have on my phone is an hp 48g emulator.
I have a memory of a PBS special on Edward Weston (or someone like him, or trying to be like him) - the photographer was taking a picture at Point Lobos and as he pressed the cable release for his 8x10 the foley crew had added the clack-snick-whirrrrr of a motorized 35mm.
What isn't clear to me is how "high level" is the Pentax backing for this? There seems no real clues about this in the video
Maybe there are specific things mentioned by the Pentax person that does indicate this and I have just missed them?
If so can anyone point out what these are?
pentaxuser
That is hilarious!!
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